EXCLUSIVE: Bryce Zabel on UFO Secrets, After Disclosure & Ross Coulthart’s Next Move
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Speaker 1: Yeah, all your breaks.
Speaker 2: Where you ready because it's not a plant from you.
Speaker 2: Love Paris brings you here.
Speaker 1: So you know your lash screen carey.
Speaker 3: You are municipal tables.
Speaker 4: So when it's the dead shot center, that's what I
Speaker 4: w we are like right here, the wonder will say,
Speaker 4: you know.
Speaker 2: Watch or shoot now?
Speaker 3: So you ready?
Speaker 2: All right?
Speaker 3: So thank you for recording.
Speaker 2: Welcome back to Total.
Speaker 4: Disclosures coverage at Contact in the Desert. I am super
Speaker 4: thrilled to be here, especially right now. I'm joined today
Speaker 4: by one of my personal idols, and not just you
Speaker 4: know that you have world, but also in the hollyworld
Speaker 4: world where I came from Emmy winning writer, producer in
Speaker 4: the creative mind behind the cold classic series Dark Skies.
Speaker 4: He's also the co host of Me to Know podcast,
Speaker 4: where he dives deep with Ross coltheart into the UFO phenomena,
Speaker 4: with ease and what seems to be an uber professionalism.
Speaker 4: It's been such an inspiration for not only me, put
Speaker 4: so many in the field.
Speaker 1: You bring such credibility.
Speaker 2: So I just want to say thank you guys.
Speaker 1: For being here with a with an intro like that,
Speaker 1: I'm a little intimidated, but that's plowed forward.
Speaker 2: Yeah, Well it's honestly, it's an honor and I've waited
Speaker 2: for this moment. You know.
Speaker 4: It's it's weird when you go from watching these things
Speaker 4: on TV, and you know, watching these people on television
Speaker 4: talk about the phenomenon, and then you're in the same
Speaker 4: room and you're the one interviewing them.
Speaker 3: Well, I mean, that's reality.
Speaker 1: The one thing I've learned in Hollywood is anybody who
Speaker 1: you consider al isn't in their own home or in their.
Speaker 2: Own minds, and they're just human.
Speaker 4: Yeah right, Yeah, So I wanted to start off because
Speaker 4: Dark Skies for me was the first time I think
Speaker 4: I told you the story.
Speaker 2: While we were walking around Dark Skies was the first
Speaker 2: time that my two worlds met. And that's when my
Speaker 2: because I knew I wanted to be a filmmaker from
Speaker 2: the first movie I saw, it elicited that visceral reaction
Speaker 2: in me where I never wanted to be an astronaut,
Speaker 2: a whistleblower. I never wanted to be any of those things.
Speaker 2: I wanted to be a filmmaker.
Speaker 4: Because of how I could generate these emotional feelings in people,
Speaker 4: whether it's sad and it's comedy, A drama. You know,
Speaker 4: it was able to do things to me that I
Speaker 4: didn't think were possible. So when I saw Dark Skies,
Speaker 4: that combined my love for the unknown and the world
Speaker 4: of Hollywood.
Speaker 2: So that premiered in the nineties, way ahead of its time.
Speaker 4: What inspired this series and how much of it was
Speaker 4: based on real research.
Speaker 1: That's a really great question. Well, the truth is, I've
Speaker 1: always in Hollywood looked for a good story. So it
Speaker 1: doesn't mean that you start with the research and then say, now,
Speaker 1: let me find.
Speaker 3: The story for it to sort of find the story
Speaker 3: and then you try to research around it.
Speaker 1: But certainly Dark Skys had its I guess its creation
Speaker 1: was trying to find a unified field theory for conspiracy.
Speaker 1: And when my co creator Brent Friedman and I were
Speaker 1: kicking it around, we were trying to develop a series,
Speaker 1: and we thought, well, what are the two greatest conspiracies
Speaker 1: of all time? And it's really no context. I mean,
Speaker 1: it's really JFK and the UFOs. So we thought, what
Speaker 1: if we stick them in this attic proctor, what will
Speaker 1: we get? And that's what we got. We've got Dark Skuys.
Speaker 1: We're in the pilot. It's literally taking place during the
Speaker 1: JFK's administration. The New Frontier. The very first days is
Speaker 1: when the main character goes to Washington, d C. He's
Speaker 1: an idealistic young management many people were during the JFK period,
Speaker 1: and he gets assigned by the congressman he's working for
Speaker 1: to go find something that they can cut from the budget,
Speaker 1: with the idea being Project Bluebook. And he does his
Speaker 1: job too well and he ends up getting himself recruited
Speaker 1: into Majestic twelve. He finds a piece of the Roswell
Speaker 1: Craft and in the pilot he gets that piece to JFK,
Speaker 1: and in the final scene of the pilot, JFK is killed.
Speaker 3: So it's pretty radical stuff. In fact, it's funny.
Speaker 1: When this first came out, one of the reviews called
Speaker 1: it the most subversive show on television, and in reality,
Speaker 1: it was pretty subversive if you think about that.
Speaker 3: And what's interesting is when Brand and I were putting.
Speaker 1: This together, you know, there wasn't an Internet that you
Speaker 1: could go to to say, you know, you couldn't put
Speaker 1: in keywords JFK UFOs and see what came up. There
Speaker 1: was no chat GPT write me some dialogue about JFK no, and.
Speaker 3: We haven't read anything about jfk at UFOs, but if
Speaker 3: you go on the End.
Speaker 1: Network now when we read a lot about it, and
Speaker 1: you know, even Jesse Michaels recently interviewing Harold and Alven
Speaker 1: Group basically said what we presupposed in Dark Skys was true.
Speaker 1: So I'm not sure I Brandy passed your question, which
Speaker 1: is what was the conception of it?
Speaker 2: Is that the so you know, like you answer it
Speaker 2: is based on real research.
Speaker 1: Well, okay, let me just put it this way. So
Speaker 1: one of the things we thought is we had a plan.
Speaker 3: It was a five year plane.
Speaker 1: Frankly, we were optimistic, you know, let's get this thing
Speaker 1: on what will the first five seasons be? And the
Speaker 1: reason we were very detailed we knew that if we
Speaker 1: were trying to sell it to a network that the
Speaker 1: idea were you know, kind of pitch was so shocking
Speaker 1: that they'd say.
Speaker 3: Okay, but where is this show go?
Speaker 1: So we came up with a timeline that took us
Speaker 1: from sixty five million DC to twenty fifty and laid
Speaker 1: out all this world because we thought we needed to
Speaker 1: be I was going to use the word bulletproof. That's
Speaker 1: probably wrong with jfk Assent we wanted to sort of
Speaker 1: just tell this story and what we ended up doing
Speaker 1: this was the most fascinating.
Speaker 3: Creative experience of my career. We made a timeline where
Speaker 3: we took three columns.
Speaker 1: Column one was historical events, and I had a collection.
Speaker 3: Of Time and Newsweek. It's just something I've always collected,
Speaker 3: and we went through Time.
Speaker 1: And Newsweek from the sixties and stuck all those dates
Speaker 1: into column one. Then we went to our UFO collections.
Speaker 1: I had about one hundred and fifty books at the time,
Speaker 1: and Brent had a lot himself, and we had got
Speaker 1: our assistance to work on it too, and everybody was
Speaker 1: going through these books and we'd find UFO events and
Speaker 1: we'd stick them into the time and whenever they matched
Speaker 1: on then that went into column three, where we said
Speaker 1: that to an empisode.
Speaker 3: Just one example of it for you would be.
Speaker 1: That the knight that Dorothy had kill Gallon, a famous
Speaker 1: journalist who was killed, was also the night of the
Speaker 1: New York power Line, and there were rumors of the
Speaker 1: UFOs being seen over power stations at the time of that,
Speaker 1: and Dorothy Kilgallen had been writing about not only JFK
Speaker 1: and Jack Ruby, but she'd also been writing about UFOs.
Speaker 1: So for us, we went like, hell, louyah, there's an
Speaker 1: episode turned out to be episode.
Speaker 3: Seventeen, But that's when we found all that stuff.
Speaker 1: So the answer to your question is we took it
Speaker 1: seriously to be honest and authentic about news events and
Speaker 1: UFO events, but we then applied dramatic license on compic.
Speaker 2: But I think what.
Speaker 1: People have liked about it, and I think maybe what
Speaker 1: even you liked about it is as you watched this thing,
Speaker 1: it is interesting to see these things lining up and
Speaker 1: to see UFO events seen in a context of historical events.
Speaker 1: And the reason I like that today here in twenty
Speaker 1: twenty five is that it.
Speaker 3: Seems very very clear to me.
Speaker 1: That we are on the cusp when we admit that
Speaker 1: we're not alone, and we've known that for a long time.
Speaker 1: There's a lot of history books that have been written
Speaker 1: that are going to need to have addendums to them
Speaker 1: or be entirely rewritten because things were going on at
Speaker 1: the time where we didn't know about it, and now
Speaker 1: we're going to have to admit it.
Speaker 4: Yeah, and that's it kind of brings me to the
Speaker 4: next question, is you know, did you guys encounter any
Speaker 4: pushback from network or even government insiders, you know, while
Speaker 4: you were making your excise I know you have the
Speaker 4: story about the guy that came up to you at
Speaker 4: the party.
Speaker 3: Sure, that's pretty fascinating.
Speaker 2: By the way, did you find that nugain?
Speaker 3: We did you find it happened?
Speaker 1: Well, let's back up so everybody can get into this.
Speaker 1: But the answer to your question, though, is we encountered
Speaker 1: nothing but obstruction during this thing. Whether it was some
Speaker 1: of it was from the government, some of them was
Speaker 1: from other sources. We really it was not an easy
Speaker 1: show to get on the air. It was not an
Speaker 1: easy show to keep on the air what you're referring to, though,
Speaker 1: And we could do ten shows on the Dark Skuyt thing,
Speaker 1: which we're not going to. We're going to keep this
Speaker 1: into the short zone. But what happened is in a nutshell,
Speaker 1: on the night of our premiere party for Dark Skies,
Speaker 1: which was on believe September twenty first of nineteen ninety six,
Speaker 1: two hundred people coming to my backyard to party and
Speaker 1: watch the show in real time on televisions. Haven't he
Speaker 1: had seen it yet? And I knew I knew these
Speaker 1: people because they were either actors, directors, studio executives, networking.
Speaker 1: I knew everybody, but there was one guy that and
Speaker 1: I didn't know that. A producer brought to me and
Speaker 1: I didn't know who this guy was. He introduced himself
Speaker 1: and he said he'd been sent by his employers to
Speaker 1: offer us, to make us an offer of cooperation, and
Speaker 1: he said, we like what you've done.
Speaker 3: You got a lot right, and we want to help
Speaker 3: you do more.
Speaker 1: And he later told us he was from the Office
Speaker 1: of Naval Intelligence. And what you're referring to the napkin
Speaker 1: as I said, it wasn't it turns out it wasn't.
Speaker 3: Exactly a napkin.
Speaker 1: What happened is that the I threw the guy out.
Speaker 1: I said, basically, after I talked to this is fascinating,
Speaker 1: but I have a real job to do, right And frankly,
Speaker 1: I didn't invite you to this party.
Speaker 3: I said, you weren't invited. I don't know who you are.
Speaker 3: You're in my house.
Speaker 1: You need to leave. So I told him to leave,
Speaker 1: and he looked at us and he said, that's fair.
Speaker 1: I understand that.
Speaker 3: Does anybody have a piece.
Speaker 1: Of paper and a pencil or a pen and my
Speaker 1: co creator's wife had.
Speaker 3: A bank deposits that she pulled out of her purse
Speaker 3: and gave it to him, and the guy basically did this.
Speaker 3: He takes his pen, it.
Speaker 1: Takes this thing and it's writing for about thirty seconds.
Speaker 1: We're all watching this, and he hands it back to
Speaker 1: us and says, you should put this in a safety
Speaker 1: bus a box for ten or fifteen years. It'll make
Speaker 1: a lot more sensitive than maybe. And we look at
Speaker 1: this thing. I call it the picture. It had symbols
Speaker 1: in it, and really it is. I have it now
Speaker 1: and you'll see it later sudden, okay later.
Speaker 3: But we said what is it? And he said Secrets
Speaker 3: of the Universe, Sound, light and frequency.
Speaker 2: And which I reference it in an interview like earlier.
Speaker 4: And I mean, isn't it fascinating that fifteen years later
Speaker 4: here you are, yeah, all right, and sound and sound, light.
Speaker 2: And frequency are at the forefront.
Speaker 4: I mean, we're talking about psionics now, we're talking about
Speaker 4: all these things.
Speaker 2: That you know once once around. The real fringes of
Speaker 2: the community are now coming to.
Speaker 4: To fruition and to be more openly discussed. So do
Speaker 4: you think you might have been right?
Speaker 1: Well, Tesla thought so I didn't know this at the time,
Speaker 1: of course, because again no Internet. I started looking into
Speaker 1: things and I you know, googling and searching and all that.
Speaker 1: And apparently in nineteen oh four it if Tesla said,
Speaker 1: if you want to know the secrets of the universe,
Speaker 1: think of energy, vibration and frequency, which which basically is
Speaker 1: satellite in frequence.
Speaker 2: As I say, it boils down to the same thing.
Speaker 4: And right not to mention how quick the FBI raided
Speaker 4: Tesla's hotel went after he passed.
Speaker 1: You got to work.
Speaker 4: I mean, there's so many things, right, so many avenues
Speaker 4: when you go there.
Speaker 3: But listen.
Speaker 1: So there's that aspect that and I'm not going to
Speaker 1: go into all the details of that now because again
Speaker 1: that's the part of the particular.
Speaker 3: But it wasn't just that one off.
Speaker 1: You later brought someone to the office. They later made
Speaker 1: another offer, and ultimately my partner and I said.
Speaker 3: We did not go to take any deal from these.
Speaker 1: Guys because we really didn't feel we needed help. We
Speaker 1: felt like we were capable of writing a show.
Speaker 3: And I didn't know.
Speaker 1: Who these people were, and I suspected it was possibly
Speaker 1: a big hoax, So I thought, I don't have time
Speaker 1: to investigate whether it's a big hoax, and.
Speaker 3: So we passed.
Speaker 2: Now, I wonder, you know, I'm sure you've heard this,
Speaker 2: but have you the Robert Emmenegger story, right, so about
Speaker 2: how there was almost a willingness to cooperate and promise
Speaker 2: of material to be given, to be included to.
Speaker 4: Kind of warm the public up to I mean, do
Speaker 4: you ever wish you could go back and maybe take
Speaker 4: them up on the office.
Speaker 3: Well, it's very interesting that you say that.
Speaker 1: Of course, Brent and I over the years will often
Speaker 1: get together and we'll just kind of laugh and say,
Speaker 1: we'd have had a real series, wouldn't we if we
Speaker 1: took the deal?
Speaker 3: In fact, that we'd.
Speaker 1: Almost be the characters in that series, you know, two
Speaker 1: hapless Hollywood producers, you know, take make a deal with
Speaker 1: the government to help them get the truth out about UFOs.
Speaker 1: It's a good story, but you know, the real thing
Speaker 1: it raises, though, is if some well, first of all,
Speaker 1: we don't we don't know for.
Speaker 3: Sure if this person was who we said he was.
Speaker 1: But if he was and they came to us and
Speaker 1: offered us a deal and we said no, do you
Speaker 1: think they stopped and said, well, Zabel and Friedman don't
Speaker 1: want to do this.
Speaker 3: Better not talk to anybody else.
Speaker 1: Ever, Again, we doubt that, so probably other people have
Speaker 1: been taught Stielberg.
Speaker 3: Well that is the rumor, ye s.
Speaker 1: Fielberg also has a place in the Dark Sky's history
Speaker 1: and that our show was being produced at the same
Speaker 1: time as Men in Black and that didn't make him
Speaker 1: very happy.
Speaker 3: But that's another story. We're not going to get into
Speaker 3: that one right now. Any time that later.
Speaker 4: Well, you've said we are not alone, We've never been alone.
Speaker 2: Do you think we are finally? And I know this
Speaker 2: question gives us a lot and it's kind of redundant,
Speaker 2: but I mean, in reality, do you think that we
Speaker 2: are nearing some sort of official, official disclosure like you
Speaker 2: wrote about in your great book Ad After Disclosure.
Speaker 3: Yes, yes, yes, I think we are.
Speaker 1: I wrote Ad After Disclosure with Richard Dolan, there's a
Speaker 1: great historian, and we had a wonderful year throwing ideas
Speaker 1: back and forth with each other about well, what do
Speaker 1: you think about this? How only go down? What do
Speaker 1: we think is going on? And the very first thing
Speaker 1: we came up with is sort of a tagline for
Speaker 1: disclosure that it was impossible, but inevitable. And that is
Speaker 1: the dichonomy of disclosure. Now, there are different kinds of disclosure. Frankly,
Speaker 1: if we were to ask everybody in your audience right
Speaker 1: now what they think UFO disclosure is, they probably have
Speaker 1: a slightly different opinion of everybody.
Speaker 3: So for the sake of our.
Speaker 1: Argument right now, let's just say disclosure is when somebody
Speaker 1: official says yep, not alone.
Speaker 3: Now.
Speaker 1: That can happen a couple of different ways.
Speaker 3: The one way it could happen is, yeah, the President.
Speaker 1: Comes out in the east room and stands at the
Speaker 1: podium and says, I got an announcement to.
Speaker 3: Make We're not alone.
Speaker 1: And for all you reporters there, here's a hard driver,
Speaker 1: three terabytes of video and photos and knock yourselves out
Speaker 1: and okay, we're done here. That's not likely to happen now,
Speaker 1: I think what Clearly, the people who have had the
Speaker 1: secret all these years and have refused to show their
Speaker 1: work are not about to do it without something else
Speaker 1: causing it down.
Speaker 3: So my take has evolved.
Speaker 1: I do think we are close to something, but I
Speaker 1: don't think it's going to be some kind of voluntary thing.
Speaker 1: I think somebody or something is going to happen that
Speaker 1: is going to cause the leadership of the world to
Speaker 1: have to sort of get on board and acknowledge it.
Speaker 4: Yeah, it's and I think it's that's a great way
Speaker 4: to put it. Is the pressure is going to have
Speaker 4: to mount to an insurmountable point.
Speaker 1: But the pressure is mounting. It is sort of, It's
Speaker 1: not it's not insurmountable at this point. But if you
Speaker 1: if you think of pressure as the public speaking out
Speaker 1: or challenging assumptions on a very basic that's pressure. Then
Speaker 1: pressure is mounted. Do we know how much pressure it
Speaker 1: is providing and how much pressure is necessary.
Speaker 3: To push people over the edge? No, we don't.
Speaker 1: You know, this is an equation we've never solved before,
Speaker 1: and there are a lot of.
Speaker 3: Variables in it.
Speaker 1: But you know, quite honestly, I look at you know,
Speaker 1: I'm not the youngest guy in the room anymore. I've
Speaker 1: lived a long life and a good one. But as
Speaker 1: I look back over all those years, most of the
Speaker 1: years of my life have been living in a world
Speaker 1: where if even if you thought UFOs were real, you
Speaker 1: that was pretty much your opinion that you kept in yourself,
Speaker 1: you didn't tell people a lot about it.
Speaker 3: And even if you did, nobody believed.
Speaker 1: You, where they made fun of you, and so I
Speaker 1: never had a feeling in my life that we would
Speaker 1: get to the place where this would actually happen until
Speaker 1: more recently.
Speaker 3: Since since around since around the turn.
Speaker 1: Of the century, I think things have been picking up
Speaker 1: in speed, you know, from nine.
Speaker 3: To eleven on onward.
Speaker 1: Yeah, the instability of the world, well, Richard Dolan, I'll
Speaker 1: always used to say that instability is what will probably
Speaker 1: push disclosure for it. And you could argue we have
Speaker 1: some instability in the world right now.
Speaker 2: Yeah, I mean, you know, you look around and there's
Speaker 2: just a lot it seems the world's on fire.
Speaker 3: Yeah, and I wish it wasn't.
Speaker 1: But I'm not going I'm not naive to say that
Speaker 1: the world is going to feel like a safer, a
Speaker 1: better place where we have some ignition. Admission of disclosure,
Speaker 1: by the way, different words since since the days when
Speaker 1: we did ad after disclosure. Disclosure is a word, like
Speaker 1: I said, nobody can quite figure out, right, and everybody's
Speaker 1: got a different opinion. So I've been thinking about it
Speaker 1: for years and saying, what is a better for how
Speaker 1: we can look at this, And I look at it
Speaker 1: as confirmation. Confirmation is what would work for everybody. I
Speaker 1: don't expect my government to tell me everything, and in fact,
Speaker 1: some of the things they probably shouldn't tell me. In
Speaker 1: a dangerous world, maybe there are reasons for some secrets,
Speaker 1: but the actual confirmation that we're not alone shouldn't be
Speaker 1: a secret. The details around it, some of them may
Speaker 1: indeed need to be secret, but the idea, the simple
Speaker 1: acknowledgement that, by the way, we have fairly definitive proof
Speaker 1: that we're not alone, ought.
Speaker 3: To be set.
Speaker 4: And look at the nuclear issue, right, yeah, so nuclear technology.
Speaker 4: I mean, you can't have a nuclear reactor, but we
Speaker 4: know they exist. It's that same you know, Okay, we
Speaker 4: know that we can't have one.
Speaker 2: We can't give everyone.
Speaker 4: The keys to the nuclear the arsenal, but you know
Speaker 4: we all know it exists, right right, And it's it's
Speaker 4: classifying a whole realm of reality. And I don't think
Speaker 4: that's a fair and it's it's it's it's you know,
Speaker 4: it's relative or or indicative of a long systemic issue
Speaker 4: of still piping the.
Speaker 2: Or the whitewashing of history and the control of the narrative.
Speaker 1: Right you are, however, the one thing that's interesting is
Speaker 1: we've come to the point where, for the for the
Speaker 1: majority of my years on this planet, the US government
Speaker 1: in particular, that all governments mostly have not acknowledged it
Speaker 1: and have actually participated in a sense of denial and
Speaker 1: ridicule for people that want to believe in it.
Speaker 3: That's true anymore. The US government has actually.
Speaker 1: Admitted that UAP or UFOs are real. And people ask
Speaker 1: me this all the time, and I'm sure it happens
Speaker 1: to you and many of the people in your audience.
Speaker 1: People say, do you believe in UFOs? And I say, well,
Speaker 1: of course I believe in UFOs. They're unidentified, they fly
Speaker 1: their own Okay.
Speaker 3: So since we have UFOs acknowledged by the government, that
Speaker 3: is progress, That is confirmation that they exist.
Speaker 1: So what a lot of people mean when they ask
Speaker 1: that question is are they aliens? Well, nobody's even saying
Speaker 1: that anymore. We're just saying, look, something is not quite right,
Speaker 1: that the nature of how we perceive reality is incomplete.
Speaker 3: And and what frustrates.
Speaker 1: Me is a citizen as a human being, is that
Speaker 1: I know there are people out there who billions of
Speaker 1: dollars to study this, and they have better theories than
Speaker 1: I do. They may even have facts that I would
Speaker 1: blow my mind, but they don't share them. So what's
Speaker 1: happened happening since twenty seventeen with the New York Times
Speaker 1: article was first written until now, that's going to be
Speaker 1: eight years this December, Okay, and a lot has happened.
Speaker 3: I mean a lot has happened in eight years.
Speaker 1: A that admission from the government that these things are
Speaker 1: real and we just.
Speaker 3: Don't know what they are.
Speaker 1: But also we've had congressional hearings, we've had reports, We've
Speaker 1: had pilots and witnesses come out, we've had whistleblowers. This
Speaker 1: is not the same world in twenty twenty five than
Speaker 1: it was in twenty seventeen. And it's definitively not the
Speaker 1: world when I was doing Dark Skys in ninety six.
Speaker 1: I think that's what made Dark Skuys, by the way,
Speaker 1: the most subversive show on television, because not only did
Speaker 1: it say JFK was killed in a conspiracy, but it
Speaker 1: said that UFOs were connected to them.
Speaker 3: Was subversive in that regard.
Speaker 1: It's a little less subversive because because both of those
Speaker 1: have radically shifted. Most people now were pretty well in
Speaker 1: the opinion that UFK probably was killed in the conspiracy. Uh.
Speaker 1: And again it's the same problem with the UFOs. We
Speaker 1: know he was killed in the conspiracy, we don't know
Speaker 1: exactly who conspired with whom to do what.
Speaker 3: But okay, and with.
Speaker 1: UFOs, we certainly know that they're real, but we don't
Speaker 1: all agree on who they are or what.
Speaker 4: They want what they were, right, right, So with whistle
Speaker 4: blowers in mind, what do you think I mean, you guys,
Speaker 4: you and ross On need to know. I believe it
Speaker 4: was two episodes ago spoke about how you know, the
Speaker 4: Matthew Browns coming out the NASA whistleblower came out, which
Speaker 4: was actually what we did.
Speaker 3: Yes, so it was a little applause here.
Speaker 2: Yeah, it was really fun to hear you guys say.
Speaker 3: I was like, yes, very I mean, udos, thank you.
Speaker 4: And so do you think that I mean with the allegation,
Speaker 4: not the allegations, but you know, the with the mounting
Speaker 4: amount or I keep saying mounting with the abundance of
Speaker 4: these whistleblowers? Do you think that this I mean, we
Speaker 4: keep hearing this twenty twenty seven date.
Speaker 2: Yeah, I don't like dates, no, but it does seem
Speaker 2: like we are coming to some sort.
Speaker 1: Of boiling point. I'm very skeptical of dates though, because
Speaker 1: again I've been in journalism for a long time, and
Speaker 1: you know, listen, I've seen doomsday cult after Doom's Day
Speaker 1: cult say the worlds can end up a certain date.
Speaker 1: We just lived through twenty twelve, that's supposed to be
Speaker 1: the end of the world as we know it. Yeah,
Speaker 1: I just think you have to bring an extreme amount
Speaker 1: of skepticism to a date, because history tell us is
Speaker 1: most of the people that predict dates are wrong, right,
Speaker 1: because but everything they say the world is going to end,
Speaker 1: and then it doesn't end, and they go, oh, well, oh.
Speaker 4: Yeah, I didn't carry the zero here. It's actually next
Speaker 4: twenty years from now.
Speaker 1: But having said that, it doesn't mean that there might
Speaker 1: not be a date. It's just that I don't find
Speaker 1: the sources for argument there's a date certain for something.
Speaker 1: But you know, listen, we're rational people. Well, would you
Speaker 1: think the powers that be would do if they knew,
Speaker 1: for example, in twenty twenty seven, there was going to
Speaker 1: be an extra solar event that would affect us or something.
Speaker 3: You know, if you don't know what to do about that,
Speaker 3: you can't affect it. Maybe you would keep that a.
Speaker 4: Secret, right, rather than cause a mass panic of epic proportions.
Speaker 2: Right.
Speaker 3: But although you know, I have to say, though we
Speaker 3: should something else that hasn't panned out is the idea
Speaker 3: of mass panic.
Speaker 1: Now, I do admit that I would assume that on
Speaker 1: the day that somebody says just some you know, the
Speaker 1: day a president looks in the camera and says, by
Speaker 1: the way, I'm confirming that we're not alone, a lot
Speaker 1: of people are going to buy a toilet bay ye okay,
Speaker 1: we know this.
Speaker 3: Is that mass panic or is that just you know,
Speaker 3: we'll get through it.
Speaker 1: Yeah, Okay, we're going to have a run on toilet
Speaker 1: paper at Costco. We know that that will be happening,
Speaker 1: but that happens for almost anything. Will there be disruption?
Speaker 1: Of course, Dolan and I went on after disclosure, We're
Speaker 1: just thinking to ourselves, Okay, let's say in today's interconnected
Speaker 1: world that there's a confirmation and ten percent of the
Speaker 1: people don't handle it, well, okay, and ten percent of
Speaker 1: those people are interstate truckers who don't go to work
Speaker 1: all right, Well, is that going to cost supplotline and
Speaker 1: the supply chain issues? Yeah, and when those supply chain
Speaker 1: issues are reported in the news. Is that going to
Speaker 1: increase the panic into a cycle?
Speaker 3: Probably?
Speaker 1: So we always looked at it as AD plus you know,
Speaker 1: AD plus one day will look like this, AD plus
Speaker 1: one month will look like that, AD plus one year
Speaker 1: plus ten years and at a certain point, and we
Speaker 1: could argue about it, maybe it's a year, maybe it's
Speaker 1: ten years, maybe it's twenty five years, but at some
Speaker 1: point some kind of stasis is achieved and you'll move forward.
Speaker 1: I mean, the bill, the bill still come due, people
Speaker 1: still have to go to work. And you know, it's
Speaker 1: the one I've always loved is for people that have
Speaker 1: seen Doctor Strangelove. There's a character Buck Turbinson, and he's
Speaker 1: the general who's talking about nuclear war and its survivability,
Speaker 1: and he says to the President.
Speaker 3: I ain't saying we're not going to get our hair missed, right,
Speaker 3: And I've.
Speaker 1: Always thought thought that is kind of a charmingly appropriate
Speaker 1: way to look at it. Yeah, our hair is going
Speaker 1: to get must when we finally get around to doing this,
Speaker 1: because it's taken so long to get here, there's going
Speaker 1: to be a lot of buried secrets and possibly murders
Speaker 1: that were committed certainly violations of some civil rights and
Speaker 1: things like that. All of this is going to have
Speaker 1: to be handled. One of the things that I think
Speaker 1: we can pretty well see possibly in the future would
Speaker 1: be some kind of truth and reconciliation commissions.
Speaker 4: And I was going to say, we're going to have
Speaker 4: to meet them halfway in some sort of amnesty program.
Speaker 4: But I have two hard questions. Yeah, and we can
Speaker 4: edit one of them out.
Speaker 3: If you want.
Speaker 2: I want to start with the do we you're close
Speaker 2: to Ross?
Speaker 4: Ross has broken some of the biggest UFO related stories period?
Speaker 3: Yes? Yes.
Speaker 4: Does it ever concern you that these whistleblowers are coming
Speaker 4: through a d O D pre publication or are they
Speaker 4: unwittingly controlled disclosure?
Speaker 3: Is it?
Speaker 2: Have you ever had that conversation with him? And you know,
Speaker 2: whether these guys are you know, they don't have to be,
Speaker 2: you know, willingly doing it, but.
Speaker 1: Is the d O D?
Speaker 2: You know, I mean they're going and asking for approval,
Speaker 2: right right? So does that not make that I mean.
Speaker 1: That's not really a whill Listen, I totally get it.
Speaker 1: It's a legitimate concern. Does it bother me? Does it
Speaker 1: bother me? It is what it is. I you know,
Speaker 1: Obviously we're talking about people like louel Azando and David
Speaker 1: Rush and even j Stratton, who's going to have hit
Speaker 1: you know, they.
Speaker 3: Take you know, both Lou and Jay have had books
Speaker 3: that are being gone over.
Speaker 1: But on the other hand, you could look at it
Speaker 1: and say, Okay, so I've read Blue als Onto's books
Speaker 1: and many of the people that are watching this have credit.
Speaker 1: You've read it, and it's pretty radical, you know, and
Speaker 1: some of the things that it says.
Speaker 3: And that was improved by the government to say.
Speaker 1: So are we in a slow controlled disclosure, Whether somebody
Speaker 1: is planning it that way or not, we are in that.
Speaker 1: I mean, so, so does it bother me? Reality doesn't
Speaker 1: bother me? You know, reality accepting reality is what life
Speaker 1: is about. You know, if you get a cancer diagnosis,
Speaker 1: it doesn't do you any good to say I don't
Speaker 1: have cancer.
Speaker 3: You know.
Speaker 1: The better thing to do would be, okay, I have cancer.
Speaker 1: What am I going to do about? What's next?
Speaker 3: Right? So I'm not bothered by it, In fact, I
Speaker 3: kind of I just think that in specific reference.
Speaker 1: To whistleblowers and where they come from, there are going
Speaker 1: to be because it's.
Speaker 3: Been a governmental program.
Speaker 1: Many of the whistle blowers are going to be governmental,
Speaker 1: but at the same time, let's not be that's not
Speaker 1: mince words. There are people in the aerospace industry, private
Speaker 1: industry who have been part of this as well.
Speaker 3: That's not the government.
Speaker 1: Some of those people are probably going to have to
Speaker 1: be drag kicking and screaming out before Congress eventually, but
Speaker 1: some of them may come forward on their own.
Speaker 4: No, and.
Speaker 2: Very well said, very well said, and that I mean
Speaker 2: that really answers that. Here the next one a little dicey. Yeah, right,
Speaker 2: so I like this, Okay, you come from the world
Speaker 2: of entertainment.
Speaker 4: We understand now we look at guys like Jeffrey Epstein,
Speaker 4: and we look at guys like Shawncolm's p ditty and
Speaker 4: what's been going on? Do you think that there's a
Speaker 4: chance that the same people who are controlling the strings
Speaker 4: and honey potting and you know, doing whatever is going
Speaker 4: on there are the same people that are ultimately hiding
Speaker 4: this nullifying technology that is off world and in essence,
Speaker 4: maybe a breakaway civilization, call what you want, the cabal,
Speaker 4: the deep state, whatever, But it seems like someone's pulling
Speaker 4: the strings. And I don't think that's just in terms
Speaker 4: of the UFO stuff, but also the darker, darker stuff.
Speaker 3: Yeah, and is what's the question?
Speaker 4: Do you think it is possible that the same people
Speaker 4: that are pulling the strings on this side pulling the
Speaker 4: strings on.
Speaker 1: It's with any society at any time, the elites no
Speaker 1: more than the people who are the grunts.
Speaker 3: And that's that's obviously going on.
Speaker 1: Here, and it wouldn't you know, I don't think it's
Speaker 1: even much.
Speaker 3: Of an issue.
Speaker 1: Of course, there are different elements to control, and you know,
Speaker 1: I'm not I'm not wildly and I'm not an anarchist
Speaker 1: saying burn down the you know, the mission here. We
Speaker 1: just have to accept that there are some things that
Speaker 1: are behind a curtain. And sometimes I suppose the curtain
Speaker 1: has been good on a short term. I would put
Speaker 1: that probably if you think about Roswell as a case,
Speaker 1: at the very beginning, we had no idea what that
Speaker 1: was all about. It was scary as hell. We'd just
Speaker 1: come out of World War two and we weren't. We
Speaker 1: thought we need some time studying this. So was that curtain?
Speaker 1: Okay at the beginning. You know, I'm not really going
Speaker 1: to excuse it, but but I'm.
Speaker 3: Going to say I understand it. Understand it right? Is
Speaker 3: it okay? Eighty years later?
Speaker 1: No, So somewhere on that SAT lies where we need
Speaker 1: to be and where we need to be right now,
Speaker 1: because it's like, it's such like the pressure is building
Speaker 1: and has been, and we have to relieve the pressure,
Speaker 1: right And that's why I'm trying to push people to
Speaker 1: consider this more as confirmation than disclosure, because we have
Speaker 1: to liken our load of how we're going to do it.
Speaker 1: If we say it's got to be all accomplished at
Speaker 1: once and everything, you know, there are people that say
Speaker 1: you've got to put it all out at once.
Speaker 3: You know. Maybe, but again I'm not on the inside.
Speaker 3: I don't know. Maybe there are you're talking about dark
Speaker 3: dark docs.
Speaker 1: Well, maybe there's some really dark stuff about the UFO
Speaker 1: issue that people.
Speaker 3: Legitimately have said. That's going to be very disconcerting when
Speaker 3: people here about production.
Speaker 1: Yeah, yeah, these you know, to the extent that there
Speaker 1: is knowledge about that and whatever really represents maybe there
Speaker 1: are stages to it.
Speaker 3: I guess what I've always been.
Speaker 1: Saying is, you know, if there's if you're part of
Speaker 1: this government, great folks and you're watching this right now,
Speaker 1: I want you to think about just confirming it. Just
Speaker 1: start with confirmation, and look, whether we put people in
Speaker 1: prison over this thing or whether we give amnesty as
Speaker 1: a political issue, and that's why we have the institutions
Speaker 1: we have. It doesn't mean you shouldn't do it. We
Speaker 1: still got to do something. So, yeah, there's darkness, There's
Speaker 1: always been darkness in the There'll be darkness after we
Speaker 1: confirm and disclose. But it doesn't mean you don't start
Speaker 1: at some point. You just you got to rip the
Speaker 1: band aid off. And I think, although when I say that,
Speaker 1: I mean it's slightly different. I mean rip the band
Speaker 1: aid off on the confirmation. I don't mean rip the
Speaker 1: band aid off and tell everybody everything all at once.
Speaker 1: And even people who use this phrase catastrophic disclosure, I
Speaker 1: don't even like that because you know it's such a
Speaker 1: majority of catastrophic.
Speaker 3: What does that even mean?
Speaker 4: It implies that we would lose our minds, well, always
Speaker 4: our minds.
Speaker 1: I think again, it's disruptive, there's no question. But here's what.
Speaker 1: I was elected chairman of the TV again days before
Speaker 1: nine to eleven, and the Emmys were days ahead of them,
Speaker 1: just days, and so the very first thing we had
Speaker 1: to do is like, what do people want us to
Speaker 1: It was a crisis, and it was for me a
Speaker 1: lesson in crisis management.
Speaker 5: I think all our days began either turning on the
Speaker 5: TV or listening to the radio or someone we know
Speaker 5: us and saying, have you seen what's happening, and then
Speaker 5: trying to find out what the town thought was appropriate
Speaker 5: to do about the situation. And that's really been the
Speaker 5: defining moment for us.
Speaker 1: And the one thing I learned almost immediately from them
Speaker 1: is that people just wanted authenticity and they wanted honesty,
Speaker 1: and so I started using just total transparency with the media.
Speaker 1: So whatever they'd ask me, even if the answer was
Speaker 1: one I didn't like to give, I would give it
Speaker 1: right and I would And if somebody said something asked
Speaker 1: something that I didn't know the answer to, I would say,
Speaker 1: I don't know the answer to that, but I'll.
Speaker 3: Get back to you.
Speaker 1: And remember when nine to eleven happened, we said that
Speaker 1: everything change, but it really didn't.
Speaker 3: It did for a while, but we sort of hold to.
Speaker 1: Life as a way of hanging back to you.
Speaker 3: So I know it's going to be difficult.
Speaker 1: I'm not actually looking forward to the disruption that's coming
Speaker 1: that part I could do with them, but I understand
Speaker 1: and accept it's going to happen anyway. And I understand,
Speaker 1: you know, I have three children, have a grandchildren, right,
Speaker 1: and I understand that my granddad is going to live
Speaker 1: and grow up in a very difficult world than I did.
Speaker 3: We each had our problems.
Speaker 1: I grew up where the Cold War could blow up,
Speaker 1: and I was hiding under a school disc thinking that
Speaker 1: would protect me from a nuclear bomb, which it wouldn't, right,
Speaker 1: And that very lie drove a dagger into all of us.
Speaker 3: Right, They're going to grow up in a world.
Speaker 1: Where there may be some darkness involved in what the
Speaker 1: actual secret is.
Speaker 3: But they're also going to grow up in a world where.
Speaker 1: This young girl, my grandchild, is going to grow up
Speaker 1: in a world where she looks up and says, wow,
Speaker 1: there there's stuff all over out there, right, and it's
Speaker 1: not going She's not going to be made to feel
Speaker 1: little or small for for thinking that.
Speaker 3: Right, And that's a pause.
Speaker 2: That is and that that that notion.
Speaker 4: That means we've you know, that that shows how far
Speaker 4: we've gone.
Speaker 2: That you know, I mean, look at all the normal
Speaker 2: people that here, just they want to be a part
Speaker 2: of the community. So I guess, you know, we'll round
Speaker 2: this off because.
Speaker 4: I know you're a busy, busy man, and we're going
Speaker 4: to get We're going to bring you to the studio
Speaker 4: of Boston.
Speaker 2: So I can't wait for that.
Speaker 4: But what case out of you know, what, what's what's
Speaker 4: your if I had if I had a gone to
Speaker 4: your head, which I went into, of course, and you
Speaker 4: had to pick one case two uh put in front
Speaker 4: of court right to deem disclosure, was was if it
Speaker 4: was all real?
Speaker 2: What case is it?
Speaker 1: Well, that would be the question first, which is are
Speaker 1: you picking a case that will disclose what's actually happening
Speaker 1: or a case that just would convince somebody over there
Speaker 1: who's never given any unis okay? I think you know,
Speaker 1: we've already sort of got that case and it's been
Speaker 1: done to death, and that would be the NIMENS case
Speaker 1: is a very strong case because it has different sources
Speaker 1: of data collection, right, and so as a consequence, that's
Speaker 1: been the go to case for a couple of reasons,
Speaker 1: because of the different data counction and because of the recency,
Speaker 1: you know, the recent.
Speaker 3: Nature of it.
Speaker 1: So of course that's a good one. And I think
Speaker 1: anybody that really studies that one at all comes away
Speaker 1: and says there's something very mysterious going now that doesn't
Speaker 1: necessarily the NIMENS case by itself doesn't tell.
Speaker 3: You that we're not alone.
Speaker 1: And I don't know personally right now of the case
Speaker 1: that I think would convince a jury that there's non
Speaker 1: human intelligence. I think you could convince any jury with
Speaker 1: a multiplicity of cases, that something that does.
Speaker 3: Not appear to be us is out there.
Speaker 1: But then remember the idea of the court case is
Speaker 1: beyond a reasonable doubt, so well I could I think
Speaker 1: we could convince any jury that there's something that doesn't
Speaker 1: appear to be ours out there. I don't think you
Speaker 1: could go beyond reasonable doubt right now with any case
Speaker 1: that makes them go, oh, it's aliens, because even the
Speaker 1: people who are at this conference that we're at right
Speaker 1: now all disagree radically. There's people out there that think
Speaker 1: it's aliens. There's people that think it's time travelers from
Speaker 1: the future. There's people that think it's interdimensional. There's people
Speaker 1: who think it's all about consciousness. There's people who think
Speaker 1: we're in the simulation.
Speaker 3: They're not.
Speaker 2: These didn't breakawayanization.
Speaker 1: There's all kinds of that stuff. Now I have my
Speaker 1: own It's just like other people have their own opinions.
Speaker 1: So the answer to your question is no. The only
Speaker 1: way that let me put it this way, if I
Speaker 1: was a lawyer trying to make a case that non
Speaker 1: human intelligence is interacting with us, the only way that
Speaker 1: case could be one would be the power of subpoena
Speaker 1: to go get evidence that I don't have access to currently.
Speaker 1: And if you've told me I can have access to
Speaker 1: anything that the government has, if there was a discovery
Speaker 1: where I could literally get my hands on anything the
Speaker 1: government's got, yeah, then I can win that case.
Speaker 2: All right, ros I just called you.
Speaker 3: You know what, call me Bruce, tell me Bryce. I
Speaker 3: don't know, just you know what spell my name.
Speaker 2: I had the next question and I promised that was.
Speaker 3: Okay.
Speaker 1: No, I really love stuff.
Speaker 4: I really love what you've been able to do with
Speaker 4: Ross with me to know you're doing your kind of
Speaker 4: developing something new. So I want you to be able
Speaker 4: to talk about that because you just released a new
Speaker 4: episode Chrissy, and you're doing the this is a book
Speaker 4: club book club, so can you just tell people about that?
Speaker 3: Well, let me differentiate.
Speaker 1: Look, there's there's a in nineteen ninety six, I did
Speaker 1: art Bell on Coast to coast and everybody seemed to
Speaker 1: see it or hear it, because.
Speaker 3: That's how you talked about UFOs back.
Speaker 1: Now we're in twenty twenty five and there's you know,
Speaker 1: I got a podcast, You got a podcast. Everybody's got
Speaker 1: a podcast. Who doesn't have the podcast? So I think
Speaker 1: what I'm trying to do is figure out ways to
Speaker 1: stand out from from the crowd on the subject to
Speaker 1: Need to Know.
Speaker 3: That's hosted by Ross Coltheart and myself, and Ross is, as.
Speaker 1: You said, one of the ultimate best investigative reporting sources
Speaker 1: on this topic. He's, you know, he's not perfect. He's
Speaker 1: going to make mistakes, just like everybody does. But he's
Speaker 1: the best I've seen, and I put him up there
Speaker 1: with George Napp and two of them. I'm very in
Speaker 1: a of And so what we try to do on
Speaker 1: Need to Know is not interview the same people over
Speaker 1: and over again, because we think that there's got to
Speaker 1: be an audience out there that says I'm interested in
Speaker 1: what's going on. I'm a busy person, don't waste my time.
Speaker 1: So what Ross and I try to do with Need
Speaker 1: to Know is to say we respect you, we respect
Speaker 1: your time. You give us forty five minutes to an hour,
Speaker 1: we'll give you the world. We'll tell you what's going on,
Speaker 1: and we'll cut the bullshit out and we'll just try
Speaker 1: to get to the point and give you to me.
Speaker 1: We'll make it lively and we'll make it listenable. But
Speaker 1: if you want interviews, well means go now. I've just
Speaker 1: started something that you pointed out with Christy Newton, which
Speaker 1: is fun. We're just doing it because it's called Project
Speaker 1: book Club. And the idea of Project book Club is
Speaker 1: just that we all I bet you have it yourself.
Speaker 1: We all have UFO book players like you. And if
Speaker 1: you go ask everybody who's got fifty or one hundred
Speaker 1: UFO books how many they've read cover to cover, it's
Speaker 1: not all of them, okay, And I admit that myself.
Speaker 1: I've got two hundred UFO books. I've read fifty cover
Speaker 1: to cover. So what Christy and I were talking.
Speaker 3: About is like, why don't we read a book, tell
Speaker 3: people what we're reading, and then discuss it.
Speaker 1: And then when the people who want to have read
Speaker 1: the same book and hear us discuss it, we all
Speaker 1: we all rease our Yeah, we increase our knowledge. And
Speaker 1: the reason I wanted to do this, quite frankly, is
Speaker 1: that there's a tendency to live in the moment because
Speaker 1: it's news, right, So you always got to go, well,
Speaker 1: what do we know of what's coming from Congress today?
Speaker 3: Or what did Luna say yesterday? You know that kind
Speaker 3: of thing.
Speaker 1: And the book thing gives you a chance to talk
Speaker 1: about about history and history is important, you know, So
Speaker 1: I want to be able to tell everybody we're going
Speaker 1: to read Whitley's Readers Communion this month, So go get
Speaker 1: your copy and read it and then read about.
Speaker 3: And tell them what it's about.
Speaker 2: And it's timeless because I could read a book a
Speaker 2: year after you got the episode, and I can go
Speaker 2: back in that yat most.
Speaker 1: Yeah, that's the shelf life of most podcasts is about
Speaker 1: a week a week, Okay, what we think with a
Speaker 1: Project book Club, the shelf life of each episode maybe
Speaker 1: ten years longer than that.
Speaker 2: You know.
Speaker 3: So that's our take.
Speaker 1: I don't know if it'll work, but it was fun
Speaker 1: to do it because with the I'll give you the
Speaker 1: answer need to know requires a lot of prep.
Speaker 3: Yes, you know, Ross is so.
Speaker 1: Good that for me to keep up with them, I
Speaker 1: got to really buckle down prep with the Project Book Club.
Speaker 1: All Christy and I have to do is read the
Speaker 1: book and show up, and that's easier.
Speaker 2: And then conversations are organic, right, and.
Speaker 3: Yet it's just as valuable.
Speaker 1: The first one we can was The Believer by Ralph
Speaker 1: blumenth All, about the life of John mac. A lot
Speaker 1: of people have heard of John, but they don't know
Speaker 1: anything really about him, right, They don't know that Harford
Speaker 1: put him on trial basically want.
Speaker 4: Yeah, almost ruined his career, and yet he won, and
Speaker 4: yet he won, you know, and then he didn't win.
Speaker 1: Right Well yeah, so well the ultimately didn't win because
Speaker 1: we stepped in front of this drunken driver.
Speaker 3: But so you're right.
Speaker 1: Anyway, I think there's room for a lot of different
Speaker 1: things out there, and we've got to hit this on
Speaker 1: a multi factorial basis. We gotta got to hit him high,
Speaker 1: we got to hit him low. You know, in everything,
Speaker 1: there's room for coast to coast, ancient aliens, there's room
Speaker 1: for the program, there's room for age of disclosure, there's
Speaker 1: room for all of these different methods that there's room
Speaker 1: for what you're doing right now, there's room for what
Speaker 1: I'm doing because there's a lot of curiosity out there
Speaker 1: in the world, because the more this has been discussed,
Speaker 1: the more people say, oh, what's going on again? And
Speaker 1: I think we are all part of answering that question. So,
Speaker 1: by the way, I commend you for what you're doing.
Speaker 1: You've done some really excellent work. And not only are
Speaker 1: you doing excellent work, but some of the work you're
Speaker 1: doing becomes the subject of things that I'm talking about, right,
Speaker 1: And I think that's a great credit to you, and
Speaker 1: I commend.
Speaker 3: You for it.
Speaker 4: Yeah, I really appreciate that, especially coming from someone like you.
Speaker 4: And listen, you know you bring with Ross with yourself,
Speaker 4: you know, the more people that are talking about this,
Speaker 4: but also you know, you have a whole life that
Speaker 4: you know, Ross has a whole life that he lived
Speaker 4: before the UFO topic. You do as well, and all
Speaker 4: your resumes. You know, people can look at that and go,
Speaker 4: I can believe in that guy, right, I can believe
Speaker 4: when he's saying.
Speaker 2: He seems like a straight shooter.
Speaker 3: He see.
Speaker 2: You know, you don't get to these places, you don't
Speaker 2: run these things or when these awards because you're just
Speaker 2: running the running you.
Speaker 1: Know the other thing you have to do and you
Speaker 1: do it yourself. We're all fallible, we're all human. We're
Speaker 1: going to make mistakes. So do you spend all your
Speaker 1: time not making mistakes so that you're overly cautious or
Speaker 1: do you plow ahead and if you make one, do
Speaker 1: you just own it? And so our take is we
Speaker 1: might make mistakes and if we do, we'll own it
Speaker 1: and were correct it. And so what we kind of
Speaker 1: look at our episodes as is to continue.
Speaker 3: There may be times where we're going to have to
Speaker 3: issue with correction. New York Times issues corrections. Why can't
Speaker 3: we right?
Speaker 1: And I think that a lot of times we record
Speaker 1: these things and they exist in a vacuum and once
Speaker 1: you've said it, it's often the ether and you you know,
Speaker 1: but we have to be accountable. Accountability is key going forward.
Speaker 1: Credibility is key. Authenticity is key.
Speaker 2: Well, my friend, you are one of the most authentic
Speaker 2: and genuine people that I think I've met at this conference.
Speaker 2: So I just want to thank you, thank you so
Speaker 2: much for doing the break.
Speaker 4: For anyone watching, there will be a QR code here
Speaker 4: that you can scan to bring you right to need
Speaker 4: to know his page and the link will be in
Speaker 4: the description below. For anyone watching on a podcast listening
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Speaker 1: It's free.
Speaker 2: It takes two seconds and helps with that past the algorithm.
Speaker 4: Head out watch need to know and everything that Bryce
Speaker 4: is doing with with Ross with Chrissy with what is
Speaker 4: the the offshoots name again?
Speaker 1: Oh project project book Club is?
Speaker 3: Oh is that's the what are we asking about?
Speaker 2: The Stellar production?
Speaker 1: Stellar Productions is my production company, okay, which I created
Speaker 1: decades ago, and it produces these things quick and by
Speaker 1: the way, I think it was the luckiest and most
Speaker 1: pressy title.
Speaker 3: You know.
Speaker 1: At the time, I was just trying to create a
Speaker 1: corporation in California that I could do business with. And
Speaker 1: I like Stellar because I was interested in space. But
Speaker 1: now it's my favorite.
Speaker 3: I love it.
Speaker 2: The pat's get just to leave it off. The future
Speaker 2: affect the now just as much as the vast does,
Speaker 2: you know, It's.
Speaker 4: All I don't think we know time not linear, so
Speaker 4: I mean we're not the synchronicity in our world? Right
Speaker 4: So yeah, no, so definitely I think anyone who watches
Speaker 4: this interview right now will know who you are.
Speaker 2: But if anyone who doesn't guys check out need to
Speaker 2: know their producer is one of my great friends, uh
Speaker 2: Astrol from UFO X. So I want to say thank
Speaker 2: you to both of you guys for taking.
Speaker 3: Time to day.
Speaker 2: Thank you all right, my friend you soon I'm to recover.
Speaker 2: To give me here now
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