THE SECRETS OF OUR MOON & UFOS| Hiding In Plain Sight| TOTAL DISCLOSURE

0:16 Speaker 1: Step right.

1:30 Speaker 2: Welcome back to Total Disclosure. I'm your host, Ty Roberts,

1:35 Speaker 2: and tonight we're peeling back some of the layers, like

1:38 Speaker 2: an onion of our closest celestial neighbor. Where joined by

1:43 Speaker 2: a researcher named Crow, who doesn't just study the sky,

1:47 Speaker 2: but he definitely tries to capture everything and all of

1:53 Speaker 2: the anomalies others look over, maybe miss He's best known

1:57 Speaker 2: for filming the legendary Lunar Wave and documenting the mysteries

2:02 Speaker 2: of our night sky in Shoot the Moon. He's here

2:05 Speaker 2: to help us decode the secrets of the Moon. And

2:09 Speaker 2: this is actually something I've been looking forward to a

2:12 Speaker 2: ton because you know, I think most people watching or

2:16 Speaker 2: listening will know that I have expressly had my eye

2:21 Speaker 2: on the Moon. I mean, like literally and figuratively, you know,

2:28 Speaker 2: my whole life. And I think I think we all

2:30 Speaker 2: look up at the Moon and it gives us that

2:34 Speaker 2: sense of wonder. It's the closest thing in our sky

2:37 Speaker 2: that we can see that just connects every single person

2:43 Speaker 2: on the Earth, you know, And it's the only one

2:47 Speaker 2: in the universe that at least I know of that

2:50 Speaker 2: is like it. It's perfectly far enough away and size

2:55 Speaker 2: and diameter to block out our sun. It's perfectly you know,

3:01 Speaker 2: shaped to a degree. There's so many anomalies. Ancient cultures

3:06 Speaker 2: talked about a time before the moon. So you know

3:10 Speaker 2: what's going on with our moon and what's you know

3:12 Speaker 2: using it? A Paulo astronauts you know, made comments about

3:18 Speaker 2: structures on the moon, even as recently as someone like

3:22 Speaker 2: Loue Alizondo who you know hate him or love him

3:25 Speaker 2: but is talking about it, has been talking about it,

3:28 Speaker 2: so that made the news recently. So with that being said,

3:31 Speaker 2: let's jump in tonight with Crow and talk about the

3:35 Speaker 2: secrets of our moon. Almost, uh, I almost brought in

3:48 Speaker 2: the I almost brought in a rose by accident, and

3:51 Speaker 2: that would have been a travesty because she just nothing

3:54 Speaker 2: but Crow. How are we doing?

3:56 Speaker 3: How we doing?

3:56 Speaker 2: Good?

3:57 Speaker 4: Good man? Thanks so much for having me. I think

3:59 Speaker 4: most people know me as Crow Triple seven.

4:01 Speaker 3: Even though Triple seven what a name.

4:04 Speaker 2: I will say so obviously again with someone who maybe

4:13 Speaker 2: doesn't know too much about you, too much about your work,

4:18 Speaker 2: I know you also did work with like solar stuff

4:22 Speaker 2: solar as well, so I want to hear a little

4:24 Speaker 2: bit about your background, maybe give us the elevator of

4:28 Speaker 2: how you got into the community, why you started pointing

4:31 Speaker 2: a camera up at the moon in the sky in general,

4:34 Speaker 2: and why it is something you're super passionate about.

4:38 Speaker 4: Okay, we run a podcast at Crow Triple seven Radio

4:41 Speaker 4: every Wednesday. But to get back to it. In twenty twelve,

4:45 Speaker 4: I had walked away from free lancing in the corporate

4:48 Speaker 4: world that had it up to my eyeballs, and I

4:50 Speaker 4: dusted off my telescope. We went to look at the

4:53 Speaker 4: super Moon in May of twenty twelve. I had my

4:56 Speaker 4: family over and my nephew, Holler's uncle Uncle. I see

4:59 Speaker 4: a black triangle going across the moon, and so I'm

5:02 Speaker 4: thinking that, lucky dog, I'll never see anything like that.

5:05 Speaker 4: But for a number of hours, myself, my brother in law,

5:09 Speaker 4: and my nephew saw black triangle after black triangle in

5:13 Speaker 4: between the end of my telescope and the moon. My

5:16 Speaker 4: brother in law even saw a formation of them. The

5:19 Speaker 4: next day, I ran out to get what I needed

5:21 Speaker 4: to put a camera on my scope, thinking I'll film

5:23 Speaker 4: for a million years and I'll never film anything. But

5:26 Speaker 4: very quickly I began to catch things and within a

5:29 Speaker 4: very short period of time at the fall Equinox on

5:32 Speaker 4: twenty twelve, I captured by accident the so called Lunar Wave.

5:37 Speaker 4: I held onto that footage for a year because I

5:40 Speaker 4: was unimpressed with social media. I had a mass of

5:42 Speaker 4: year's worth of footage other than the wave, and in

5:45 Speaker 4: twenty thirteen October I put it up and the world

5:49 Speaker 4: blew open. I was yanked onto the world stage. Everything

5:52 Speaker 4: changed then to make matters more complicated. Exactly thirty days

5:57 Speaker 4: after I posted that footage, the flatter of movement exploded

6:00 Speaker 4: and they were all using my footage. And so at

6:04 Speaker 4: that point everything had changed. All the footage was out

6:08 Speaker 4: there and I filmed for I don't know, five six

6:12 Speaker 4: years straight chemtrails in the day Moon at the night,

6:15 Speaker 4: I was putting in serious shifts and we have quite

6:18 Speaker 4: a bit of footage to share with you as well today.

6:22 Speaker 2: Yeah, I mean, I'm so excited to see some of

6:24 Speaker 2: this stuff because you know, what I think a lot

6:28 Speaker 2: of people are interested in with the Moon is that

6:34 Speaker 2: when you do start looking into it and looking at

6:40 Speaker 2: you know, just like let's just call it the lure

6:42 Speaker 2: of the Moon. Maybe the history of the Moon. I

6:44 Speaker 2: don't know, but there are so many instances and facts

6:49 Speaker 2: about our moon that like they all kind of point

6:53 Speaker 2: to this, like not cut and dry celestial body, satellite

6:59 Speaker 2: know of that that formed around our planet, you know,

7:04 Speaker 2: through millennia of.

7:07 Speaker 3: Gravitational pull on you know, dustin rock.

7:11 Speaker 2: Right, So, before we get into some of the footage,

7:14 Speaker 2: what can you tell us about the moon and why

7:16 Speaker 2: is it so interesting?

7:18 Speaker 4: The moon is the most mystery, mysterious thing you will

7:21 Speaker 4: ever see. I stared at it for six years straight,

7:25 Speaker 4: and I mean I was putting in sometimes eight or

7:28 Speaker 4: twelve hours in a night with an eight inch telescope

7:31 Speaker 4: that was high end equipment I upgraded over the time.

7:34 Speaker 4: And what I can tell you about the moon, well,

7:36 Speaker 4: I'll use this as the example. Somewhere along the line,

7:39 Speaker 4: one of these guys in our history tried to prove

7:42 Speaker 4: that the moon was in charge of the tides in

7:45 Speaker 4: our world. And that's where we get the phrase this

7:47 Speaker 4: is where reason goes to die. When I say the

7:50 Speaker 4: moon is mysterious, it is a mystery wrapped in enigma,

7:54 Speaker 4: surrounded by a riddle. As a matter of fact, from

7:57 Speaker 4: night to night, my wife and I, who had been

7:59 Speaker 4: staring at it endlessly, would notice that one night it

8:03 Speaker 4: would appear that the creators dipped in, and the very

8:06 Speaker 4: following night they looked like they bulged out like a

8:09 Speaker 4: little pop bubble that you could push with your thumb.

8:12 Speaker 4: And to be perfectly on the up and up here,

8:15 Speaker 4: I'll put right on the record, I have come to

8:18 Speaker 4: where I don't accept anything NASA offers, which is a

8:21 Speaker 4: big reason I do what I do. I want first

8:23 Speaker 4: hand observation because time after time I have shown that

8:27 Speaker 4: what I've been told is not correct. And by the way,

8:30 Speaker 4: when I shot the lunar wave, at one point, I

8:33 Speaker 4: had a mast over one hundred thousand followers, and I said,

8:37 Speaker 4: take that footage and take it to your local observatories.

8:41 Speaker 4: One observatory somewhere in the world responded and said, it's

8:44 Speaker 4: clearly atmospheric, and that was the size of it. And meanwhile,

8:48 Speaker 4: the rest of the Internet was going bonkers over this footage.

8:51 Speaker 4: People were saying, I thought I knew everything I needed

8:54 Speaker 4: to know about the Moon, and now this, And so

8:58 Speaker 4: what I'm here to tell you is, I think we

9:00 Speaker 4: all need to start using first hand observation and reassessing

9:05 Speaker 4: everything we've been told. Because truly, of all the things

9:08 Speaker 4: I have ever studied, the moon is just mysterious.

9:12 Speaker 3: Do you think that humans have landed on the Moon.

9:16 Speaker 4: I don't accept it. No, I don't.

9:18 Speaker 2: You don't accept it.

9:19 Speaker 4: I don't accept it. I described the Moon as a luminary.

9:23 Speaker 4: That's how much I don't accept it. What I have

9:26 Speaker 4: learned about the Moon leads me to believe that it

9:30 Speaker 4: is if I actually was told the absolute provable God's truth,

9:35 Speaker 4: I have a feeling my jaw would hit the flour

9:37 Speaker 4: floor and live there for a month.

9:40 Speaker 2: What do you mean by that?

9:42 Speaker 3: What do you think the actual truth may be?

9:44 Speaker 1: Is that?

9:47 Speaker 4: Well? I also have been filming the Sun with very

9:50 Speaker 4: high end tools, and right out of the gate, the

9:54 Speaker 4: world has told me, well, that's a nuclear furnace. What

9:56 Speaker 4: I have learned is what the electric universe people or

10:00 Speaker 4: saying or some version of that, that it's clearly electromagnetic.

10:03 Speaker 4: And I think there is a connection. I think the

10:06 Speaker 4: alchemists or the natural science back in the day knew

10:09 Speaker 4: it like anode cathode. There's that kind of connection somehow

10:14 Speaker 4: between those two luminaries, which is how I refer to them.

10:19 Speaker 2: And so when you said, uh, I've ever heard about Okay,

10:24 Speaker 2: wait wait wait, yeah, I'm not I can't skip over

10:27 Speaker 2: that part. So what what do you think that What

10:33 Speaker 2: do you think the Apollo mission's job was to do?

10:36 Speaker 2: It was just a trick the public propagandas beat the

10:41 Speaker 2: you know, beat the Russians, or at least end that

10:45 Speaker 2: because it could at that point, you think it would

10:48 Speaker 2: have to be something almost like mutual where they both

10:52 Speaker 2: agreed like, hey.

10:54 Speaker 3: This has gotten out of control.

10:56 Speaker 2: We're both spending way too much money, Like one of us,

11:00 Speaker 2: well win, right that way, we can both kind of

11:03 Speaker 2: just ease back and kind of like let this go.

11:08 Speaker 2: Then you'd have to bring every other I think that's

11:11 Speaker 2: one of the problems that most people have with the

11:13 Speaker 2: theories that we didn't go is why isn't some other

11:16 Speaker 2: country that's now gone blown the whistle? And do you

11:20 Speaker 2: think that's because they're all under the boot of the

11:22 Speaker 2: United States and Russia and the you know, kind of

11:25 Speaker 2: like Big Three.

11:27 Speaker 4: Well, I think you're right on the money there. I

11:30 Speaker 4: think that all space agencies are in a club. And

11:32 Speaker 4: I can say some things that kind of demonstrate this.

11:35 Speaker 4: First of all, in what world do we in less

11:39 Speaker 4: than ten years with computers that don't even match anyone's wristwatch?

11:43 Speaker 4: Go to the Moon and then not go back for

11:46 Speaker 4: fifty years, telling everyone we lost the technology, and what

11:49 Speaker 4: world do we constantly catch the ISS astronauts on green

11:54 Speaker 4: screens and harnesses, among other things. And by the way,

11:58 Speaker 4: in what world do we have place is like China

12:00 Speaker 4: seaying we're on the Moon now, but we can't show

12:03 Speaker 4: you an HD feed around the clock. There's all these problems,

12:08 Speaker 4: and satellites are no different. When I first started filming

12:11 Speaker 4: all these things, I was thinking, oh, that's clearly a satellite.

12:13 Speaker 4: I got to look up satellites. Well. As I looked

12:16 Speaker 4: at the satellite trackers, it tells you right there, these

12:19 Speaker 4: are not just not accurate. This is ballparked at best.

12:23 Speaker 4: And if you begin to think about a satellite, you

12:25 Speaker 4: realize if you were even off by a few seconds

12:27 Speaker 4: orbit after supposed orbit, they would be so far away

12:31 Speaker 4: as to be useless in that way. And so then

12:34 Speaker 4: I said, well, why don't the astronauts in the ISS

12:38 Speaker 4: poke their iPhone and show us the third at that

12:40 Speaker 4: time thirty thousand satellites and they never have. There is

12:44 Speaker 4: no existing video of a satellite doing what a satellite does.

12:48 Speaker 4: And then we discovered Project Loon from Google where they're

12:51 Speaker 4: get caught putting them up on balloons all the time.

12:56 Speaker 3: What do you mean by that? I've never heard this?

12:58 Speaker 2: What is this?

12:59 Speaker 4: You can look up Project Loon. You must have seen

13:02 Speaker 4: the footage or a lot of people have where a

13:04 Speaker 4: satellite fell. It's even labeled, but there's a balloon still

13:07 Speaker 4: attached to it. But you can look up Project Loon

13:10 Speaker 4: where they're launching basically satellites on balloons.

13:14 Speaker 2: Like l oo N or l un for lunar lo

13:20 Speaker 2: okay and so okay, So what does that mean? What

13:25 Speaker 2: does that mean?

13:26 Speaker 4: So that I'll go back to your first question. It

13:31 Speaker 4: is my view that the space agencies are here to

13:35 Speaker 4: ensure we know very little about what's above our head

13:39 Speaker 4: for whatever reason. You know, I can guess like anyone else,

13:42 Speaker 4: what the reasons might be. Oh okay, But what I

13:45 Speaker 4: have done is used first hand observation. And at first,

13:49 Speaker 4: back in the nineties, I was learning all I could

13:51 Speaker 4: from NASA, and what intrigued me was those hubble shots. Man,

13:56 Speaker 4: those blew my mind, and that's what I wanted to do.

13:58 Speaker 4: Back then, I had an Olympic camera with film in it,

14:01 Speaker 4: which is very difficult trying to replicate what the Hubble did,

14:05 Speaker 4: and every time I kept thinking, well, I'm the idiot here,

14:08 Speaker 4: I'm making the mistake. But as time went on, I

14:11 Speaker 4: come to learn, well, first of all, the color palettes

14:14 Speaker 4: are just made up, and all those Hubble things, that's

14:17 Speaker 4: all fake color. Then secondarily, like the Earth shot, there

14:21 Speaker 4: is no picture of Earth from space, and you can

14:24 Speaker 4: actually go look up the artist who made it, who

14:26 Speaker 4: tells you I made this based on data the best

14:30 Speaker 4: I could do what I think it should look like.

14:32 Speaker 4: And that came about because people caught all the cloned clouds.

14:36 Speaker 4: So in the digital image there were all these clone clouds,

14:39 Speaker 4: so people started looking more carefully. What I came to

14:42 Speaker 4: understand later was there's an aircraft with the identical setup

14:47 Speaker 4: where told the Hubble space telescope has, and that aircraft

14:50 Speaker 4: is apparently taking all that imagery. But as I got

14:55 Speaker 4: into the photographic side of it, I began to realize

15:00 Speaker 4: quickly that the shape of what they're showing me is there,

15:04 Speaker 4: but all the rest of it is smoking curtains.

15:07 Speaker 2: Okay, So I think the obvious question becomes, why why

15:13 Speaker 2: go out of our way to fake the moon and

15:18 Speaker 2: fake fake the idea of this whole space space. I

15:23 Speaker 2: mean money obviously, like with the exception of the core

15:28 Speaker 2: evil of money being that they're at the center of everything.

15:32 Speaker 2: Why play this like elaborate hoax on citizens and the

15:39 Speaker 2: world every day and the world yeah, for all of history?

15:42 Speaker 4: Right, Well, let me ask a question to you. Do

15:46 Speaker 4: you feel like we've been losing rights very quickly over

15:49 Speaker 4: the past ten twenty years, maybe since nine to eleven,

15:52 Speaker 4: And shouldn't we be going the other way as we

15:55 Speaker 4: grow up as a species, And yet what we are

15:58 Speaker 4: is being more restricted. If you look at Europe, it's

16:01 Speaker 4: almost like that place has been decimated. They've just been flooded.

16:05 Speaker 4: Everything's a big mess over there. I think it's about control,

16:09 Speaker 4: and I can guess at the reasons they might do it.

16:12 Speaker 4: But what I can say for certain using logic is well,

16:16 Speaker 4: if we don't know where we are, actually for sure

16:19 Speaker 4: know where we are, then we have no idea where

16:21 Speaker 4: we can go for one thing, And if that was

16:25 Speaker 4: a control mechanism as our rights goal way, maybe that's

16:28 Speaker 4: part of the reason. But what I can tell you

16:30 Speaker 4: certainly is for those of us who have taken extended

16:34 Speaker 4: periods of time to use first hand observation and fantastic

16:38 Speaker 4: tools that are available. As an example later, you'll see

16:41 Speaker 4: my solar work ten fifteen years ago, an amateur could

16:44 Speaker 4: not have produced solar footage at that level. It just

16:48 Speaker 4: was not doable the price alone. Even if you had

16:52 Speaker 4: the money, you probably couldn't have got the tools we

16:55 Speaker 4: have now. But what we learned through firsthand observation is

16:59 Speaker 4: that we have been told doesn't really match with what

17:03 Speaker 4: we're seeing.

17:05 Speaker 3: It's you know, it's weird.

17:09 Speaker 2: I used to and I know this is gonna sound

17:12 Speaker 2: kind of crazy, but I mean I talk about aliens

17:16 Speaker 2: for a living, so I mean, I guess not enough

17:19 Speaker 2: sounds too crazy, right, you know?

17:22 Speaker 3: I but.

17:25 Speaker 2: You brought up you said you started this endeavor in

17:28 Speaker 2: twenty twelve. Yes, did so, you were because I was

17:34 Speaker 2: graduating high school, so I we were like very into

17:40 Speaker 2: the idea of like remember the Mayan calendar and like

17:43 Speaker 2: the end of the quote unquote end of the world, YadA.

17:46 Speaker 4: YadA, twenty twelve.

17:48 Speaker 2: Yeah, were you like, was that was that as big

17:52 Speaker 2: as I remember it? Or was that kind of just

17:55 Speaker 2: in like this niche area of people.

17:58 Speaker 4: It's still big for people who pay attention in my view,

18:01 Speaker 4: because what they're talking about is cycles of time, ages

18:04 Speaker 4: or eras. We know for certain that some of those

18:07 Speaker 4: calendars are mind bogglingly specific. And it's not just one calendar.

18:12 Speaker 4: It's like these gears one into the other. They had

18:15 Speaker 4: a cycle for the moon, for Venus, they had all

18:18 Speaker 4: these cycles that we don't even bother to track. We

18:22 Speaker 4: basically use the sun. We can't even be bothered to

18:25 Speaker 4: recognize that the moon, which was once a moonth right,

18:28 Speaker 4: that was once out we knew what a month was.

18:30 Speaker 4: It was a mooth and so we can't even bother

18:33 Speaker 4: to use the moon as it should be, to have

18:35 Speaker 4: a nice, even calendar where every day of the week

18:38 Speaker 4: is the same, and it's so much more elegant system

18:42 Speaker 4: to me that echoes control. Again, but look at daylight

18:45 Speaker 4: savings time right now.

18:46 Speaker 2: I was just that's crazy. You just said that. I

18:49 Speaker 2: was literally right. Came into my head as you were saying, right,

18:54 Speaker 2: I mean.

18:54 Speaker 4: I'm saying, this is what we're talking about right now.

18:57 Speaker 4: I think it is demonstrable that we are shifting the age,

19:00 Speaker 4: we are shifting the era. Everything is changing, and the

19:04 Speaker 4: mind calendar knocked at it twenty twelve. But if you

19:07 Speaker 4: look at twenty twelve forward the world has been changing

19:10 Speaker 4: at such a clip as to make you dizzy.

19:14 Speaker 3: And that's where I'm That's what I was.

19:17 Speaker 2: It's kind of interesting that you you actually chose those words.

19:22 Speaker 2: I've felt that ever since roughly that time. Something changed

19:31 Speaker 2: and I don't know what it is, but I remember

19:34 Speaker 2: like there was a way I viewed And I really

19:37 Speaker 2: don't know if this is just like something everybody goes

19:39 Speaker 2: through because I only have my you know, viewpoint to

19:43 Speaker 2: kind of reference out of, like you know, when you

19:47 Speaker 2: find out that's like every you know, some people like

19:53 Speaker 2: not everyone has a voice in their head that like that.

19:57 Speaker 3: You know.

19:57 Speaker 2: It's just these things that we only have reference for

19:59 Speaker 2: from ourselves, right, And it's only when we ask someone else, like, hey,

20:03 Speaker 2: you got this thing in your head right that, you know,

20:05 Speaker 2: when we kind of try to elaborate, it's like, well,

20:07 Speaker 2: that sounding too crazy. That's what I'm trying to do here,

20:10 Speaker 2: So I'm sorry if it's like sounds crazy, but I

20:14 Speaker 2: remember looking at the world and feeling the world a

20:19 Speaker 2: certain way before, and then after there was a different,

20:26 Speaker 2: something different. I can't quite put my finger on it, but.

20:29 Speaker 4: I agree I can help a little with that. So

20:32 Speaker 4: let me ask you this question. When you were little

20:35 Speaker 4: and say eight years old, and you looked up at

20:38 Speaker 4: the sun, do you remember it as being kind of yellow?

20:41 Speaker 3: I'm colorblind, Unfortunately a.

20:44 Speaker 4: Lot of people do. And what a lot of people

20:47 Speaker 4: say now is it's more pale now. The sun is

20:50 Speaker 4: the main arbiter in an era shift. As a matter

20:53 Speaker 4: of fact, it's the main arbiter of all time for us.

20:56 Speaker 4: It's how you know where the sun is. It works

20:58 Speaker 4: our months out our seasons. It's very important. But what

21:01 Speaker 4: most people don't consider is all of the energies we

21:05 Speaker 4: need to exist here. They come to us mostly through

21:08 Speaker 4: the sun. When the plants know to explode with the

21:11 Speaker 4: biggest energy release of any given year in the spring,

21:14 Speaker 4: that's because of what the sun is doing that luminary

21:18 Speaker 4: up there, and all the animals will have babies. It

21:21 Speaker 4: is the biggest release of energy that's been stored ever

21:24 Speaker 4: since the winter was going on like a battery. But

21:27 Speaker 4: many people notice the sun and the sun has changed.

21:31 Speaker 4: It is my point of view that well, I'll use

21:34 Speaker 4: animals as an example. When I was young, if I

21:37 Speaker 4: would have saw a bulldog grab a skateboard and jump

21:41 Speaker 4: into a pool and use it like a skateboard should

21:43 Speaker 4: be used. That would have been a galactically famous dog,

21:47 Speaker 4: and yet any many dogs are doing that. Now. This

21:50 Speaker 4: is what we're talking about. The age is shifting, consciousness

21:54 Speaker 4: is lifting, which directly speaks to what you were just explaining.

21:58 Speaker 4: You feel different. That's what this is about. We're going

22:02 Speaker 4: into a new era, and in the new era everything

22:06 Speaker 4: will be different. All the low vibrational systems we've known

22:09 Speaker 4: all our lives, those will start to go away now

22:12 Speaker 4: because where we're headed is at different age, a different era.

22:16 Speaker 2: Interesting, very very interestingly put and I almost feel a

22:23 Speaker 2: little crazy when I talk about it, because it's like

22:26 Speaker 2: it's this weird, you know, self experience that you're trying

22:31 Speaker 2: to put words to. It's like when I saw the UFO,

22:34 Speaker 2: It's like I can describe it in the language that

22:40 Speaker 2: I have available to me, but I will tell you

22:44 Speaker 2: that not all the language is there to be able.

22:49 Speaker 3: To replicate what I saw.

22:51 Speaker 2: Same thing with like DMT experience, the language doesn't exist

22:56 Speaker 2: to verbalize what I experience or what I've experienced on

23:02 Speaker 2: psychedelic psychedelic drugs. And you know, it's it's it is

23:07 Speaker 2: a little weird to talk about, but anyone that's done these,

23:11 Speaker 2: it is strange that you come out of it.

23:13 Speaker 3: With this like connection to the Earth.

23:16 Speaker 2: And some people say to the Sun, to the moon,

23:19 Speaker 2: whatever it is, but they just feel this oneness. So

23:24 Speaker 2: if those were artificial in creation or maybe not artificial,

23:29 Speaker 2: I don't I'm not sure if that's what you're trying

23:31 Speaker 2: to say. No, but I feel I still feel like

23:36 Speaker 2: they play a big part in people's lives.

23:41 Speaker 4: I would say everything I refer when when I first

23:44 Speaker 4: started talking about this with my telescope, I realized something

23:47 Speaker 4: very early. If I started talking about certain things, all

23:51 Speaker 4: the astronomers would leave the room. If I talked about

23:54 Speaker 4: other things, all the astrology people would leave the room. So,

23:58 Speaker 4: like you said, we don't have language for this. So

24:01 Speaker 4: I invented my own language, and I began calling all

24:04 Speaker 4: the luminators up there the skyclock, because now everyone can

24:08 Speaker 4: can recognize not only is this important, it is massively important.

24:13 Speaker 4: That is our skyclock. In the older days in India,

24:17 Speaker 4: they tracked Cali Yuga's back millennia back through massive ages.

24:22 Speaker 4: But you were about to say something.

24:24 Speaker 3: Do you think that, Well, I just saw this too,

24:31 Speaker 3: and it's kind of interesting.

24:32 Speaker 2: I mean, we know that, like people in the Northern

24:37 Speaker 2: States suffer statistically, on average, suffer from seasonal depression. Right

24:46 Speaker 2: very no sun, you know, for for a third of

24:50 Speaker 2: the year in Massachusetts. I think New England specifically has

24:56 Speaker 2: the biggest amount.

24:58 Speaker 3: And I don't know why that is.

25:00 Speaker 2: But right now what we're seeing is a yellow sky

25:05 Speaker 2: because the wildfires in Canada have drift caused this drift downward.

25:11 Speaker 2: So for the past three days, places like Maine, Vermont,

25:16 Speaker 2: mass Chusetts, it's been this pure. What I'm told is

25:19 Speaker 2: yellow again. I'm a little colorblind. What it looked like

25:22 Speaker 2: to me was like a warm filter was put on everything.

25:26 Speaker 3: Yeah, you know, the warm filter.

25:27 Speaker 4: Like I had it yesterday here in Rhode Island.

25:30 Speaker 2: Oh yeah, Oh you're not even that far away. No, okay, yeah,

25:33 Speaker 2: so you understand.

25:35 Speaker 4: I knew I saw it. I witnessed it. It felt

25:37 Speaker 4: like the quality of the light felt like it feels

25:40 Speaker 4: during a daytime solar eclipse before the total sun is blocked.

25:44 Speaker 4: And it did have a yellow etinge, but it kind

25:48 Speaker 4: of veered a little towards orange. Today we don't. We

25:51 Speaker 4: have a little of it, but it doesn't smell like smoke.

25:54 Speaker 4: That's the weird thing. Almost every time this kind of

25:56 Speaker 4: thing has been you can smell the smoke. It smells

25:59 Speaker 4: like a forest fire.

26:01 Speaker 2: Right.

26:01 Speaker 4: My friend Connecticut called me this morning and he said,

26:04 Speaker 4: they're still under orange skies, So three hours to my west,

26:09 Speaker 4: they're still experiencing what you described.

26:12 Speaker 3: Interesting.

26:13 Speaker 2: I saw pictures from like Maine, and it was it

26:16 Speaker 2: was like it literally looked like it was weird. Well, yeah,

26:20 Speaker 2: it just if anyone wanted a little like insight into

26:26 Speaker 2: the apocalypse and how it might look. There, you go, they.

26:30 Speaker 4: Should have been filming their zombie movies under that.

26:33 Speaker 2: Oh my god, I was saying that, I go, that's so,

26:36 Speaker 2: it's so many synchronicities with you. This is very weird.

26:39 Speaker 2: But I was. I literally was talking to a buddy

26:42 Speaker 2: and I said that, I go, dude, if someone was

26:44 Speaker 2: like set to film there, like you know, indie film,

26:48 Speaker 2: indie horror film right now, like they would have been,

26:51 Speaker 2: they would have hit the jackpot. The light right, consistent

26:56 Speaker 2: lighting right, No no changes in the sun could be

26:59 Speaker 2: seen or felt.

27:01 Speaker 3: No shadows were consistent.

27:03 Speaker 2: That was another thing that kind of creeped me out

27:06 Speaker 2: was the shadows when they don't move all day because

27:08 Speaker 2: it's just a consistent lighting the whole day. That does

27:12 Speaker 2: something to your brain because your brain's looking around for

27:15 Speaker 2: you know, your every day normal, like you know what

27:19 Speaker 2: normal is, and when something is off, you feel it.

27:24 Speaker 4: It was very off putting yesterday, and the fact that

27:27 Speaker 4: I couldn't smell the smell of forest fire made me

27:30 Speaker 4: start to do what I always do. I started to

27:33 Speaker 4: question the mainstream narrative. And one thing I know is

27:37 Speaker 4: that they are the most human beings in the United

27:39 Speaker 4: States where me and you are. If you look at

27:41 Speaker 4: that line in the center of this country and you

27:44 Speaker 4: go to the right of it on the east, that

27:46 Speaker 4: is by far the highest concentration of people. And as

27:49 Speaker 4: we know, whoever's pulling the strings in this world is

27:54 Speaker 4: corraling as quickly as they can right now with their

27:57 Speaker 4: flock cameras and their data centers and all of their

28:00 Speaker 4: kind of sky neet. Right, they showed us the same

28:03 Speaker 4: thing in skynet. The terminator showed us this game. They

28:07 Speaker 4: just called it skynet, and they used fantastic robots to

28:10 Speaker 4: show us.

28:11 Speaker 2: Right right right, it is.

28:13 Speaker 3: It is the flock cameras. It kind of crazy.

28:15 Speaker 2: People are. People are really like getting to the point

28:18 Speaker 2: where they're like, no, this is too much.

28:21 Speaker 4: Right, like that's that's happening here too.

28:24 Speaker 3: Like this is that's too much.

28:26 Speaker 2: And and I don't know if you've ever been in Massachusetts,

28:28 Speaker 2: but there's a place called and I think probably everywhere

28:31 Speaker 2: it kind of like skid row. Like you want to

28:34 Speaker 2: put that kind of shit there, that's one thing, but

28:38 Speaker 2: like on a street in a suburban area, like I

28:43 Speaker 2: I'm not for that, Like I you want to put

28:47 Speaker 2: it where, like you know, crime is statistically.

28:50 Speaker 3: And like like.

28:52 Speaker 2: Like there's a place in Boston called mass Ave or

28:56 Speaker 2: Methodo Mile, Like I understand why they would be used

28:59 Speaker 2: in those places because people are getting stabbed all the time,

29:03 Speaker 2: shot all the time, and like the cops can't be

29:06 Speaker 2: there twenty four to seven, So I get that. But

29:10 Speaker 2: like in the in the downtown, like you know, it's

29:14 Speaker 2: just like it's getting to feel a lot.

29:17 Speaker 4: More nineteen eighty four.

29:20 Speaker 2: And yeah, I was going to point to what you

29:22 Speaker 2: said earlier, Orwellian. Maybe you didn't even say.

29:27 Speaker 4: Orwellian, but no, that's what I would say though.

29:29 Speaker 2: Where things Ever since the Patriot Acted nine to eleven,

29:33 Speaker 2: it feels like every year we're getting closer to this,

29:36 Speaker 2: like this pinch point where we we truly can never

29:40 Speaker 2: come back from, and that worries me. Have you that

29:47 Speaker 2: being said, there's always something I've I've wanted to ask

29:49 Speaker 2: somebody for so long, and I know I'm going rapid

29:53 Speaker 2: fire because I know you have some footage you want

29:55 Speaker 2: to show.

29:55 Speaker 3: But have you ever.

29:57 Speaker 2: Read the texts I I'm kind of drawing a blank

30:01 Speaker 2: on which ones I've read that talk like this.

30:04 Speaker 3: But they talk about a time before the moon.

30:07 Speaker 4: Oh yeah, pree, like.

30:09 Speaker 3: A pre moon.

30:12 Speaker 4: I accept that is true, by the way.

30:15 Speaker 2: Okay, and so is it of your Also?

30:20 Speaker 3: I got it.

30:22 Speaker 2: What do you think if if something were to have

30:24 Speaker 2: brought the moon here?

30:27 Speaker 3: What do you think that that might be?

30:30 Speaker 4: So this is where it gets dicey, because, first off,

30:32 Speaker 4: I'll say, there are a number of books that covered this,

30:35 Speaker 4: but what got me were the indigenous accounts where they

30:38 Speaker 4: literally had tribes that were named after the fact from

30:42 Speaker 4: the time before the moon. But here's where it gets dicey.

30:46 Speaker 4: We have people listening right now who accept aliens are true.

30:50 Speaker 4: We probably have people listening that are very religious, and

30:54 Speaker 4: what they accept maybe slightly different. What I say is

30:58 Speaker 4: we got the moon because it was the invironment that

31:00 Speaker 4: we need. It is my personal view that the moon

31:03 Speaker 4: is intricately tied to what happens when we die. That

31:06 Speaker 4: is my feeling, and there are lots of places where

31:10 Speaker 4: you can start to get into this. What's for certain

31:13 Speaker 4: is the energies of the moon are very mysterious. Like

31:18 Speaker 4: on a full moon. You can ask anyone in emergency services.

31:21 Speaker 4: They'll say a full moon, people die, things happen. But

31:24 Speaker 4: that's also where we get the word. And this is

31:26 Speaker 4: a big deal to me. Language has meaning, and we

31:28 Speaker 4: get lunatics. Luna is the moon shit, right, So when

31:34 Speaker 4: we have language like that, it tells us this is

31:37 Speaker 4: not a pipe dream. This happened in antiquity and they

31:41 Speaker 4: named it to convey to you we know the energies

31:44 Speaker 4: of the moon are associated with this.

31:49 Speaker 3: A few times I've had my mind blown.

31:52 Speaker 4: We're not done yet.

31:54 Speaker 3: You just blew my mind a little, and the root

31:56 Speaker 3: word it was right there there.

31:58 Speaker 4: It is right. Language is so critically important in times

32:02 Speaker 4: like these. Back in the day, when they name things,

32:06 Speaker 4: that name kind of resonated with the object that was describing.

32:11 Speaker 4: That's why they still name everything, Like when they discover

32:14 Speaker 4: new species, it's still done in Latin. They tell us

32:17 Speaker 4: Latin is a dead language, but it's not. They never

32:19 Speaker 4: stop naming everything in Latin. Well, why is that? Because

32:23 Speaker 4: that language is set up to resonate and better describe

32:26 Speaker 4: and associate what it is they're trying to convey. Wow

32:35 Speaker 4: to the point, like other languages, our language is very

32:38 Speaker 4: strange because it's been completely stripped. If you just go

32:41 Speaker 4: to Spanish as an example, everything is either male or female,

32:45 Speaker 4: so they have a whole side of language when they're talking.

32:48 Speaker 4: And what is male or female? Well, the sun is

32:51 Speaker 4: male and the moon is female. Back in alchemy and

32:54 Speaker 4: the natural sciences, we knew these energies. And the metal

32:57 Speaker 4: for the moon is silver. The metal for the moon

33:00 Speaker 4: is gold, and that begins to tell us the importance

33:03 Speaker 4: and the energies that we're dealing with. Unfortunately, modern science,

33:08 Speaker 4: which has become a bit religious like scientism, has veered

33:11 Speaker 4: away from these older ideas. And as people get to

33:16 Speaker 4: post nine to eleven, where they're trying to control everybody

33:19 Speaker 4: as quickly as they can, it shouldn't be a mystery

33:22 Speaker 4: why the information has been kept from us on so

33:25 Speaker 4: many levels.

33:26 Speaker 2: So have you ever heard the story of Well, actually,

33:31 Speaker 2: you know what, I'll save this one because I think

33:33 Speaker 2: that would probably take us in a wicked, a really

33:35 Speaker 2: different direction. That is a very interesting point too, between

33:40 Speaker 2: silver and gold, like literal alchemic material that represents each.

33:50 Speaker 3: It's almost I would argue.

33:52 Speaker 2: And like you said, life and death, right, the moon

33:57 Speaker 2: having been tied to our death, the way the Sun

34:00 Speaker 2: is tied to our life.

34:02 Speaker 4: And provides for it makes it possible.

34:04 Speaker 2: Right, there is no life on Earth without the sun. No,

34:09 Speaker 2: there's no life anywhere without the sun.

34:12 Speaker 4: There's no movement. There's not even movement without the sun.

34:14 Speaker 4: Everything frozen solid, right, exactly so, But it's actually more

34:20 Speaker 4: than that because back in the day when the natural sciences,

34:23 Speaker 4: which were called alchemy, which is by the way, where

34:26 Speaker 4: chemistry stands on the shoulders of alchemy. Yeah, back in

34:29 Speaker 4: those days it was philosophically, so they could philosophically think

34:33 Speaker 4: with all these tools. But then they went into the

34:35 Speaker 4: laboratory and they proved it was true. As an example

34:38 Speaker 4: of this, they took a plant into the laboratory and

34:41 Speaker 4: they broke it down into three parts, body, soul, and spirit.

34:45 Speaker 4: And we know this is true because to this day,

34:47 Speaker 4: when we go to a liquor store, it says spirits

34:50 Speaker 4: on the liquor because the spirit of a plant is

34:54 Speaker 4: ethyl or methyl alcohol. So these things were true, they're

34:59 Speaker 4: proven true in a laboratory, but we have forgotten them.

35:02 Speaker 4: But what they did is they talked about the importance

35:05 Speaker 4: of the luminaries, and not just the sun and the moon,

35:08 Speaker 4: the other planets and the stars. Each one of those

35:11 Speaker 4: things gives off energy, which we automatically know because there's

35:15 Speaker 4: a color that's energy, there's a light that's energy, there's

35:18 Speaker 4: a vibration rate that's energy. So now in this era

35:21 Speaker 4: where everyone's waking up and dogs are using skateboards for

35:24 Speaker 4: crying out loud, everyone is looking up to the skyclock again,

35:28 Speaker 4: beginning to come out of a dream, almost recognizing there's

35:33 Speaker 4: more to this than we realized.

35:35 Speaker 2: Right right, And I mean, you know it's it's if

35:45 Speaker 2: I'll just come out and ask, do you believe is

35:48 Speaker 2: it of your belief that beings that don't originate on

35:53 Speaker 2: this earth exist in this in the cosmos.

35:57 Speaker 4: Absolutely every text you can get from any ancient culture

36:00 Speaker 4: talks about other beings. Even in meditation. There is not

36:04 Speaker 4: a meditation based spiritual path where they are not taught

36:08 Speaker 4: by other beings and they have words like diva or

36:11 Speaker 4: other things. What I do not accept is the way

36:14 Speaker 4: we think about aliens most of the time, because it

36:16 Speaker 4: is my view that the way we think about aliens

36:19 Speaker 4: was brought to us through television and film, and television

36:23 Speaker 4: and film is not here to tell us the truth.

36:26 Speaker 4: And so what I think other life forms are just

36:29 Speaker 4: naturally part of the overall spiritual reality that is this universe.

36:38 Speaker 3: Can you repeat that last part?

36:39 Speaker 2: I had to. I didn't realize.

36:41 Speaker 4: That other life forms are just part of the natural

36:44 Speaker 4: extension and progression of the spiritual reality that is this universe.

36:51 Speaker 2: Okay, so is it because there is two ways of

36:58 Speaker 2: looking at and okay, and this could just be limited

37:03 Speaker 2: thinking on the creation of the universe. But I find

37:08 Speaker 2: it odd that like science will say, oh, well, out

37:13 Speaker 2: of nothing came everything, the Big Bang, right, less than

37:18 Speaker 2: the size of a pin boom everything, And then religious

37:23 Speaker 2: people will say, no, God said let there be light.

37:27 Speaker 2: Are they not saying the same exact thing, but just

37:29 Speaker 2: looking through a different lens.

37:31 Speaker 4: Well, I would offer to you that when we're told

37:33 Speaker 4: about the Big Bang, if there are real physicists in

37:36 Speaker 4: the room, they tell you that that's hogwash because it

37:39 Speaker 4: violates one of the laws of thermodynamics. Now that's a law.

37:44 Speaker 4: A law means something. What a law means is not

37:47 Speaker 4: only can we predict what's going to happen, It's happened

37:50 Speaker 4: so many times over and over that we don't think

37:52 Speaker 4: it's going to happen. We know it's going to happen. So,

37:55 Speaker 4: when the laws of thermodynamics tell you that the Big

37:58 Speaker 4: Bang is nonsense, and then you recognize that the biggest

38:01 Speaker 4: TV show in the world further pushed that idea, being

38:05 Speaker 4: called the Big Bang theory, you can kind of see

38:08 Speaker 4: the programming behind it all. When you go over to

38:10 Speaker 4: the spiritual side, I think there's maybe a little more

38:15 Speaker 4: road to walk on there, regardless from my point of view,

38:19 Speaker 4: whatever spiritual path. Here's the thing about alchemy, when it

38:22 Speaker 4: demonstrated that everything can be thought of a broken down

38:26 Speaker 4: in spirit, soul, and body, that is a spiritual way

38:31 Speaker 4: to think about things. And so when we get to

38:34 Speaker 4: the point where we are now, if you look around

38:37 Speaker 4: at your friends, do you notice that consciousness is rising

38:40 Speaker 4: and all the people that you know in the world,

38:42 Speaker 4: do you notice that spiritual endeavors? And I'm not saying

38:45 Speaker 4: necessarily that they're reading the Bible. I'm saying that more

38:49 Speaker 4: people are becoming interested in a spiritual path. And to

38:53 Speaker 4: me a human being, a massive part of what it

38:57 Speaker 4: means to be a human being is to have a

38:59 Speaker 4: spiritual path. And it's been the same all the way

39:02 Speaker 4: through as back as far as we could look. And

39:05 Speaker 4: the skyclock played a big role in that.

39:07 Speaker 2: I agree. And you know what I think, counter to

39:11 Speaker 2: counter to what they wanted. I think, you know, things

39:16 Speaker 2: start with the Patriot Act, right this this tightening of

39:19 Speaker 2: the of the vice, if you will, and then COVID

39:24 Speaker 2: or let's just call it, that thing like the flu.

39:28 Speaker 2: I don't want to get to monetize I ioraity am.

39:30 Speaker 2: But that thing like the flu happened, and I think

39:33 Speaker 2: they wanted to tighten that vice a little bit more.

39:36 Speaker 2: And what it did was it gave people time to

39:39 Speaker 2: like kind of recalibrate. Some people went crazy, but a

39:44 Speaker 2: lot of people kind of needed the time off, like

39:48 Speaker 2: they needed to just be at home with their kids,

39:50 Speaker 2: They needed to just be My mom died on four

39:53 Speaker 2: three two one. I wouldn't have been able to be

39:56 Speaker 2: with her every single day. How did not been like that?

40:01 Speaker 2: I look at that shit like a blessing, because in

40:06 Speaker 2: any other circumstance of all time that I know, I

40:11 Speaker 2: would not have been free every single day. I mean

40:14 Speaker 2: I would have had to make myself free and it

40:16 Speaker 2: would have cost me money yet. Yeah, but in this

40:18 Speaker 2: situation it was and she didn't die from it. So

40:23 Speaker 2: if you know she arguably you know it didn't matter

40:27 Speaker 2: that that was happening. She you know it. Fate's a bitch, right,

40:33 Speaker 2: and I think she is. It was always going to

40:36 Speaker 2: happen on that date, like if you believe that kind

40:39 Speaker 2: of thing. So whether the plandemic was happening, I like that,

40:44 Speaker 2: yeah it was happening or not.

40:46 Speaker 3: She was gonna go from breast cancer. That was her fate.

40:49 Speaker 2: But I was able to spend day, every single day

40:52 Speaker 2: with her for months.

40:54 Speaker 4: I did a similar thing with my mother, who left

40:56 Speaker 4: in twenty two. But if we look broader at what

40:59 Speaker 4: you're saying, this happened one hundred years ago with the

41:01 Speaker 4: Spanish flu. People like Steiner wrote about how bad masks

41:06 Speaker 4: are for you to breathe your own exhaust fumes every day,

41:08 Speaker 4: And if you're aware of natural science, then you're aware

41:12 Speaker 4: that your spirit is your breath so you were asked

41:14 Speaker 4: to your your god given breath was supposedly being veiled.

41:19 Speaker 4: But when we ask questions, how many businesses were lost

41:23 Speaker 4: because of that? The whole world changed and it's not

41:26 Speaker 4: coming back. And so you begin to see the intention.

41:29 Speaker 4: And when you go back to the twenty twelve Olympics,

41:32 Speaker 4: what were all those hospital beds and demons doing in

41:35 Speaker 4: the startup? If you go back and look at the

41:38 Speaker 4: opening ceremony for the twenty twelve Olympics, yeah, the hospital beds.

41:44 Speaker 4: You can see the planning. So I think you used

41:46 Speaker 4: the right word when you described it. But I'm gonna

41:48 Speaker 4: move away from this because I don't want you to

41:50 Speaker 4: get in trouble on your platforms. If you're into it,

41:54 Speaker 4: we could shift to some footage.

41:57 Speaker 2: Yeah, let's let's shift, can I So I got a sponsor.

42:02 Speaker 3: I just gotta use a bathroom real quick.

42:04 Speaker 2: So I'll play the sponsor video and then we'll come

42:07 Speaker 2: back and we'll start to take a look at what

42:10 Speaker 2: you've captured. The little bit of I've seen is incredible.

42:16 Speaker 2: I have so much I want to talk about. I

42:19 Speaker 2: know that this is going to spark a lot of conversation.

42:22 Speaker 2: So anyone that's listening. I definitely, I definitely I wanted

42:28 Speaker 2: to go for a good amount of time talking and

42:31 Speaker 2: just get into No Crow. We're about forty two minutes in,

42:35 Speaker 2: but I'd probably head over to YouTube if I was you,

42:38 Speaker 2: because the you know, the rest Is show is going

42:41 Speaker 2: to have a lot of visual aid in visual reference,

42:43 Speaker 2: So the links are in the description blow for Crow's

42:48 Speaker 2: website as well. If you do want to just keep listening,

42:51 Speaker 2: I'll put all his links in the description so that

42:55 Speaker 2: you can click on it and peruse it at your

42:58 Speaker 2: own at your ownly. So with that being said, guys,

43:02 Speaker 2: stay almostay kind and we'll see you on the other side.

43:05 Speaker 2: We'll be right back. This episode of Total Disclosure is

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44:36 Speaker 2: Now back to the ship.

44:39 Speaker 3: Oh that I gotta change that I keep forgetting.

44:42 Speaker 2: I uh when I say back to the show, I

44:44 Speaker 2: don't know what happened, but it sounds gone awful. What so,

44:49 Speaker 2: what are we looking at? Here mine.

44:50 Speaker 4: All right, there's the wave starting at the bottom. I'll

44:53 Speaker 4: describe it after it runs. There's the wave. It just

44:55 Speaker 4: caught up to the camera. There's going to be another

44:57 Speaker 4: wave behind it. I filmed this on accident, looking at

45:00 Speaker 4: a three and a half inch LCD window, did not

45:03 Speaker 4: realize the wave was starting. When it did, saw the

45:06 Speaker 4: second wave, and then thought, what everyone thinks, this is

45:09 Speaker 4: my camera's messing up, which I can prove that's not true.

45:12 Speaker 4: And I'll tell you how in a minute. A month

45:15 Speaker 4: or weeks later, I ended up deleting this clip because

45:17 Speaker 4: I was so convinced. And then that night I had

45:20 Speaker 4: the epiphany and it shook me because it proves that

45:23 Speaker 4: this is real. This really happened, and I filmed it.

45:27 Speaker 4: So what you'll notice that's another wave. The waves are

45:30 Speaker 4: coming from the top, so you see two waves completely

45:34 Speaker 4: every time it's two. This is jetwashed. Because people wanted

45:38 Speaker 4: to say, oh, that's clearly from an airplane. I filmed

45:41 Speaker 4: hundreds of airplanes going across the Moon. It's not the

45:43 Speaker 4: same thing. It's not even in the same job. It

45:45 Speaker 4: doesn't watch this. I'll describe this. Go down. The wave starts,

45:49 Speaker 4: the camera goes above the wave. Then the wave catches

45:52 Speaker 4: up to the camera, which is proof this is a

45:54 Speaker 4: filmed event. Not to mention, this has been filmed many

45:59 Speaker 4: many times in front of the Moon. It's been filmed

46:01 Speaker 4: in front of Saturn, It's been filmed in front of Jupiter,

46:04 Speaker 4: and last season I filmed it in front of the sun.

46:07 Speaker 2: What the is that?

46:11 Speaker 4: That's what I'm saying, That's why the world blew up

46:13 Speaker 4: in twenty thirteen?

46:15 Speaker 2: What the is that? I have?

46:20 Speaker 3: And I know cameras, what kind of camera using?

46:25 Speaker 4: This was a Canon T two I, But as we know,

46:27 Speaker 4: digital cameras do not fail with organic lines. Right, it's pixilation,

46:32 Speaker 4: it's hard edges.

46:35 Speaker 2: And it doesn't look anything like that. No, this is

46:38 Speaker 2: like a radial line. It almost looks like it's like wrapping.

46:45 Speaker 4: Yeah, that's what I thought for the longest time, until

46:48 Speaker 4: it was filmed in front of the other luminaries. I

46:51 Speaker 4: think it might be better described as a firmament wave,

46:54 Speaker 4: but it remains to be seen because we don't certainly

46:57 Speaker 4: know what causes it yet and people have been working

46:59 Speaker 4: on this for years.

47:01 Speaker 3: It almost looks like it's like the matrix re rendering.

47:06 Speaker 4: Me say that a lot of people say.

47:08 Speaker 3: That, like it's like it's like re rendering it.

47:10 Speaker 2: It's like a quick remember AOL and how it would

47:14 Speaker 2: load pictures and like like.

47:17 Speaker 3: You know a stage. Yep, it looks like it's that,

47:20 Speaker 3: but like in like real time.

47:22 Speaker 2: Yeah.

47:23 Speaker 4: Yeah, when this happened, I didn't have the language to

47:27 Speaker 4: describe this. So unfortunately, years ago I used the word hologram,

47:31 Speaker 4: which I wish I hadn't done, because people still think

47:34 Speaker 4: I think the Moon's a hologram. I do not think

47:37 Speaker 4: the moon is a hologram. The moon is a crucial,

47:40 Speaker 4: crucial part of the system we live in, and it

47:43 Speaker 4: is directly I don't know if I want to stay connected,

47:46 Speaker 4: but it is the female aspect to the male sun,

47:49 Speaker 4: and the energies that it provides fit the old alchemical

47:53 Speaker 4: procedures that would have defined it as such.

47:56 Speaker 2: Yeah, it's it's almost like it's if it wasn't so

47:59 Speaker 2: like perfectly over the atmosphere of it, it would almost

48:02 Speaker 2: look like it's like a shock wave that went through.

48:05 Speaker 4: Well watch this, I'll blow your mind. She's going to

48:08 Speaker 4: run it again. Pick a crater and when the wave

48:10 Speaker 4: goes by, it's going to displace that crater twice. See it.

48:15 Speaker 4: Pick one crater when the wave goes back.

48:17 Speaker 2: I got one.

48:18 Speaker 4: Okay, well wait it does it here, but wait for

48:21 Speaker 4: the other one to roll around again. It's a better example.

48:24 Speaker 4: That's the twenty twelve footage, which is the best I've

48:26 Speaker 4: ever seen.

48:28 Speaker 2: Right, So it'll.

48:29 Speaker 4: Start again after this. So watch pick a crater and

48:32 Speaker 4: watch how the wave displaces. Here we go. Got a

48:35 Speaker 4: crater here?

48:36 Speaker 2: I got one.

48:37 Speaker 4: Yeah, it's going to displace it. Boom what it displaces

48:41 Speaker 4: twice the entire image of the moon.

48:45 Speaker 3: Oh my god, it really does.

48:47 Speaker 2: Holy shit, it really does.

48:50 Speaker 4: So so the whole internet kind of changed back in

48:53 Speaker 4: the day, but that was before YouTube censored me.

48:58 Speaker 2: You now you didn't obviously didn't see that with the

49:00 Speaker 2: naked eye.

49:01 Speaker 4: No, I don't think I can.

49:02 Speaker 2: Yeah, I don't think I was gonna say, do you

49:04 Speaker 2: think you could have if it if it was a

49:07 Speaker 2: perfectly clear night?

49:09 Speaker 4: I mean, maybe someone with eagle vision, but I wouldn't.

49:13 Speaker 4: It wouldn't be the same because I've had people tell

49:16 Speaker 4: me they saw that. And the thing is, I'm looking

49:19 Speaker 4: through an eight inch telescope which can magnify with eyepieces

49:23 Speaker 4: to four hundred and something times, which what I this

49:26 Speaker 4: is not that, but it is magnified a number of times.

49:30 Speaker 4: The moon is full frame in the camera.

49:33 Speaker 2: Yeah it's I mean it's center stage that and it's

49:36 Speaker 2: very crisp like detail wise, which is it's really amazing.

49:42 Speaker 2: So that's how all your footage looks too.

49:45 Speaker 4: So I filmed it five times. Here's the thing, that thing,

49:51 Speaker 4: the waves. I filmed five different occasions. I filmed it

49:54 Speaker 4: once with a full spectrum. I filmed it during a

49:57 Speaker 4: lunar eclipse. But here's the thing. When when I released it,

50:01 Speaker 4: about half the people were saying I faked it, and

50:03 Speaker 4: the other half were blown away, like we are watching

50:06 Speaker 4: it again. I'm blown away every time I see it.

50:08 Speaker 4: But a year and a half later, I filmed the

50:11 Speaker 4: second known lunar wave and that really blew up. Oh

50:15 Speaker 4: he's faking and he's clearly faking it. But then over

50:18 Speaker 4: time I lost count when people had filmed it about

50:20 Speaker 4: forty times in front of the Moon. But by the

50:23 Speaker 4: time it's filmed at Saturn, Jupiter and then I catch

50:27 Speaker 4: it in front of the Sun. There's no denying this thing.

50:30 Speaker 4: It's there. It's just we don't know why for.

50:32 Speaker 2: Sure, right, And so have you ever have you ever

50:38 Speaker 2: asked NASA or anything. I know you say you don't

50:40 Speaker 2: trust them, but like just doing like the whole like

50:45 Speaker 2: citizen scientist thing.

50:46 Speaker 3: Have you ever been like NASA?

50:49 Speaker 2: Can you tell me? Well you get an official statement?

50:52 Speaker 2: What is this?

50:52 Speaker 4: Right? So here's what I did. It started to be

50:55 Speaker 4: that every time someone thought they filmed a wave, they

50:57 Speaker 4: sent it to me like I was the official arbiter

51:00 Speaker 4: of the world. And I didn't think that was the

51:02 Speaker 4: way it should go. So what I did is I

51:04 Speaker 4: told my one hundred and some thousand followers at the

51:07 Speaker 4: time on YouTube, go take this clip to your local observatories.

51:12 Speaker 4: Only one responded with a sentence that said it's clearly atmospheric.

51:16 Speaker 4: That was the only response that was given.

51:19 Speaker 3: And they're saying it's sort of our atmosphere.

51:22 Speaker 4: They didn't say they said it's clearly atmospheric. Interesting, they

51:27 Speaker 4: said very little. And then of course people have said, oh,

51:32 Speaker 4: well it's clearly a version layer. Well, clearly that's jetwash.

51:35 Speaker 4: Everyone has an opinion. There are people who I've interviewed

51:38 Speaker 4: on my podcast that goes out every Wednesday on Crow

51:41 Speaker 4: Triple seven Radio that have very good ideas that have

51:45 Speaker 4: to do with spiritual or energetic ideas that they use

51:49 Speaker 4: physics and other things. They're very good ideas, but at

51:52 Speaker 4: the end of the day, for something to become a law,

51:56 Speaker 4: it has to be described and then it has to

51:59 Speaker 4: happen every other time. That way, then we know it

52:02 Speaker 4: is what it is. There's no more guessing. Like thermodynamics

52:06 Speaker 4: shows us that the big band theory, we might as

52:08 Speaker 4: well play that song nothing from nothing leaves nothing, and

52:12 Speaker 4: I gotta have something if you want to believe in.

52:14 Speaker 2: Me, very very oh Man elegantly said so okay, So

52:20 Speaker 2: next up we have this is let me get the

52:25 Speaker 2: banner out of the way. What are we looking at here? Oh,

52:33 Speaker 2: this is a small orb. B. Look do you see

52:39 Speaker 2: where ever just crossed the field too?

52:41 Speaker 4: Yeah? So what this is? It's called an orb. We

52:44 Speaker 4: used to see them with our eyes. We never saw

52:47 Speaker 4: them when cam trails weren't present. We never saw them

52:51 Speaker 4: if cam trails weren't present. That is a chemtrail and

52:53 Speaker 4: it looks like a ball of plasma. Believe it or not,

52:57 Speaker 4: it's gonna drop down in this camp trail. The wind

53:00 Speaker 4: is pushing the chemtrail to the left. That orb is

53:03 Speaker 4: going to go to the right and it's gonna shoot

53:05 Speaker 4: two plasma beams. I'm not kidding. It's gonna shoot two

53:08 Speaker 4: plasma beams into the chemtrail. Now I'm gonna try to

53:12 Speaker 4: show you when it happens. But then we're gonna run

53:14 Speaker 4: like a slow mo redo frontwards and backwards. Keep your

53:17 Speaker 4: eye on it, and it's gonna happen right about here,

53:21 Speaker 4: somewhere right here there.

53:23 Speaker 2: WHOA.

53:27 Speaker 4: So the weird thing after I filmed this, there it is.

53:33 Speaker 4: We're gonna go frontwards and backwards, and we're gonna invert

53:36 Speaker 4: the color and do something so you can see. But

53:37 Speaker 4: after I posted this footage, we never saw these orbs

53:41 Speaker 4: with our eyes ever. Again.

53:43 Speaker 2: No way, here it comes.

53:45 Speaker 4: Keep your eye on it. Inverted there it is. It's

53:50 Speaker 4: shot twice. I mean, what's it doing? And by the way,

53:54 Speaker 4: when the orb goes over.

53:56 Speaker 3: That's not a balloon like you can't say no or something.

53:59 Speaker 4: No, it's it's like a ball of plasma. When it

54:02 Speaker 4: goes over the spot that it shot, the whole orb

54:05 Speaker 4: flares up and brightens.

54:07 Speaker 2: Bro this what is that other thing?

54:10 Speaker 4: There? There were so many in the air. Frontwards, backwards, frontwards,

54:15 Speaker 4: oh god, backwards, look at that? It does it twice.

54:18 Speaker 4: There's two little blasts and it flares when it goes

54:21 Speaker 4: over the spot. I always got the energetic sense that

54:25 Speaker 4: this was positive, that whatever they were doing was positive.

54:29 Speaker 4: But that's just me telling you I feel that way about.

54:32 Speaker 3: It because you're the one filming this. Yes, right, so

54:38 Speaker 3: you felt.

54:41 Speaker 2: It's not that I'm okay, it's not that I'm like, oh,

54:45 Speaker 2: hippy to be here, but I do like I That's

54:48 Speaker 2: one of the questions I asked people, when you saw

54:50 Speaker 2: what you saw, how did you feel? And you said

54:53 Speaker 2: that you didn't feel that there was a negative negative.

54:56 Speaker 4: I almost wanted to question, is it deactivating the m

55:00 Speaker 4: they're doing somehow or What I can tell you is

55:03 Speaker 4: the only time we ever saw one of these with

55:05 Speaker 4: no camp trails. We were trying to film it and

55:08 Speaker 4: it was going across the sky and then a plane

55:10 Speaker 4: laid a camp trail and it went straight to it.

55:14 Speaker 4: So they're directly related with whatever these planes were doing.

55:17 Speaker 4: There were times when we wondered if they were dropping them.

55:20 Speaker 4: I have other footage, but it's not these These look

55:24 Speaker 4: like literally look like a burning ball of white plasma.

55:28 Speaker 4: That's what they look like. They morph a little bit

55:30 Speaker 4: it's just I don't have the language to describe it.

55:33 Speaker 2: Yeah, and then something something ejects from it. Yeah, well

55:39 Speaker 2: certainly with no right there with no. And then the

55:45 Speaker 2: way you that inverted uh, that inverted one allows you

55:50 Speaker 2: to see it beautifully, beautifully that that actually is probably

55:57 Speaker 2: the best ORB footage I've I've seen to gain.

56:00 Speaker 4: So check this out on all the work that I do.

56:04 Speaker 4: So what happened in twenty seventeen YouTube deleted my channel

56:08 Speaker 4: with all this footage, and then they put it back

56:11 Speaker 4: three weeks later with twenty five thousand less Substill I

56:15 Speaker 4: still have a YouTube channel with two hundred thousand ish followers.

56:18 Speaker 4: But what they did is they put an algorithm to

56:21 Speaker 4: censor Crow, Triple seven and lunar wave, which is why

56:24 Speaker 4: you can't really search for it on Google products anymore.

56:27 Speaker 4: But on my website there's a two hour film called

56:31 Speaker 4: Shoot the Moon, and all my subscribers get free access.

56:34 Speaker 4: We put that out. It has all my lunar waves,

56:37 Speaker 4: it has footage that would blow your mind more than

56:40 Speaker 4: we've brought with us today. And it's got ten awards

56:43 Speaker 4: in the world. Now, the last two came from India. Jaipur,

56:45 Speaker 4: India actually gave us the Laurel wreath for our independent film,

56:51 Speaker 4: and so the world was ready for this, and that

56:54 Speaker 4: film has been protected on my private server, like all

56:57 Speaker 4: free speech. So everything I've ever done is protected on

57:01 Speaker 4: my private server, and subs get free access to everything.

57:04 Speaker 1: Interesting. Yeah, as a matter.

57:07 Speaker 4: Of fact, I would enjoy if you saw Shoot the

57:10 Speaker 4: Moon if you want to review it or something.

57:12 Speaker 2: So yeah, I'll definitely take I will definitely watch it.

57:15 Speaker 4: Email me, I'll give you a log in and you

57:17 Speaker 4: can have at it. Just try to do it on

57:19 Speaker 4: a big TV.

57:20 Speaker 3: Oh, brother, you don't even realize.

57:22 Speaker 4: There you go if you got the one hundred inch

57:25 Speaker 4: or you're gonna your eyes will boggle.

57:27 Speaker 3: I have an Imax projector.

57:30 Speaker 4: There you go, get the twenty three foot version.

57:33 Speaker 2: Yeah, yeah, dude, to be the biggest. Unless you've screened

57:36 Speaker 2: it at a cinema, this will be the closest.

57:39 Speaker 3: Ni yets. I can assure you of that.

57:42 Speaker 2: But real quick, wow, before we watch the next one,

57:50 Speaker 2: can you tell us about this?

57:52 Speaker 3: So what happened at mofon.

57:55 Speaker 2: There's something that happens at mofon and I want to

57:59 Speaker 2: make sure we tell the story all right.

58:01 Speaker 4: Well, people out there sitting comfortably in their homes. Don't

58:04 Speaker 4: think there's little spies everywhere. The story I'm going to

58:07 Speaker 4: tell you proves that that's not correct. So in twenty twelve,

58:12 Speaker 4: I started filming accidentally filmed the Lunar Wave film for

58:14 Speaker 4: a year, and I get so many just mind blowing

58:18 Speaker 4: pieces of footage. I did not want anything to do

58:21 Speaker 4: with social media. I didn't set that up till twenty thirteen.

58:24 Speaker 4: While I'm doing this, I finally go to a moof

58:26 Speaker 4: on meeting because I have all this footage. As I

58:29 Speaker 4: get there, this really old guy running the meeting says,

58:32 Speaker 4: you know, we have an agent in here a plant.

58:36 Speaker 4: And I said what do you mean? And he goes,

58:38 Speaker 4: you know, a plant and I kind of blew it off. Well,

58:41 Speaker 4: I get into the meeting. There's like five or six,

58:43 Speaker 4: maybe seven people, and they don't do anything. They trade

58:46 Speaker 4: books and they talk about UFOs and here I am

58:49 Speaker 4: a new guy with footage and they can't possibly figure

58:52 Speaker 4: out a way to show the footage. So I say,

58:53 Speaker 4: I'll tell you what. I'll come back one more time.

58:56 Speaker 4: I'll bring what I need, a screen and a projector,

58:59 Speaker 4: and I'll put up for everyone to see. Well I

59:02 Speaker 4: did that the next time around, and there was a

59:04 Speaker 4: guy there that people would recognize. I don't drop names,

59:07 Speaker 4: I don't bad mouth people, but everyone listening would know

59:10 Speaker 4: him from the UFOs circuit. And the moment I pushed

59:15 Speaker 4: play on the first clip, he started downing it, calling

59:19 Speaker 4: it everything but what it was. And he did this

59:21 Speaker 4: for the entire time that I was trying to show clips.

59:24 Speaker 4: Then at the end of it, tried to get my clips,

59:27 Speaker 4: and I realized very seriously that not only is there

59:31 Speaker 4: a plant, this guy's you know, he's paid to come

59:34 Speaker 4: be in this Moufon meeting and then derail anything that

59:37 Speaker 4: happens and probably report it to whatever's you know, whatever

59:40 Speaker 4: reason he's he's he's been on TV for crying out loud.

59:42 Speaker 4: What's he doing in a moufon with six people in it?

59:45 Speaker 4: So that is interesting, the Moufon story. And that's when

59:50 Speaker 4: I walked away from Moufon. And that's when I decided,

59:52 Speaker 4: guess what, YouTube's the word that the better of the

59:55 Speaker 4: two evils.

59:56 Speaker 2: Yeah, at least it's as open sources open source can

59:59 Speaker 2: be like as far as like, well, it's not, it's

1:00:03 Speaker 2: not really open source, but you know what I mean.

1:00:05 Speaker 4: So about about a year and a half after I

1:00:08 Speaker 4: posted the lunar wave, I got a notice back in

1:00:10 Speaker 4: the day from Google where they informed me they have

1:00:12 Speaker 4: rights to everything I ever uploaded on their platform and

1:00:16 Speaker 4: they can use it for anything they want to include commercials.

1:00:18 Speaker 4: So if you ever see a Cadillac commercial with a

1:00:20 Speaker 4: lunar wave, you'll know why.

1:00:24 Speaker 3: Oh okay, yeah, yeah, that makes sense.

1:00:26 Speaker 4: That's that's why I but that and the censorship and deleting,

1:00:30 Speaker 4: and they also delete my stuff without telling me, which

1:00:33 Speaker 4: is why I have the private server, which has been beautiful.

1:00:37 Speaker 4: My forums. People are polite. That's the one rule. And

1:00:40 Speaker 4: it's not like the cesspool everywhere else. People are polite

1:00:43 Speaker 4: in my forums. They get free access to everything and

1:00:46 Speaker 4: nothing has been censored.

1:00:48 Speaker 2: I love that, I really do. All right, So maybe

1:00:53 Speaker 2: I should just leave the banner down for this one.

1:00:55 Speaker 2: For this episode, So.

1:00:56 Speaker 4: We're gonna load the thruster clip. Watch the top of

1:00:59 Speaker 4: the moon. You're gonna see a craft come in that

1:01:01 Speaker 4: has three thruster engines. I shot this here. It comes

1:01:04 Speaker 4: It's real small, see it there no coming down center

1:01:07 Speaker 4: of the moon.

1:01:09 Speaker 2: Oh yeah yeah, oh so you'll see.

1:01:12 Speaker 4: The thrusters charge up. I shot this before it was

1:01:15 Speaker 4: fully dark. It looks dark because I had a city

1:01:18 Speaker 4: light filter in between the camera and the scope. You're

1:01:21 Speaker 4: gonna see it light up. That's the three thrusters and

1:01:24 Speaker 4: the clip. And in the film I break down some

1:01:27 Speaker 4: stills that absolutely show it almost looks exactly like you

1:01:30 Speaker 4: would expect the Apollo little capsule thing to look with

1:01:34 Speaker 4: three thrusters on it. So here we'll get some better views.

1:01:38 Speaker 2: And we know this is not a satellite of any type.

1:01:42 Speaker 4: Absolutely, there's no such thing as satellites and outer space,

1:01:45 Speaker 4: which have pretty much been proven as a matter of fact.

1:01:48 Speaker 4: The way they've described outer space is also nonsense. But

1:01:52 Speaker 4: people when they saw this immediately went out online trying

1:01:56 Speaker 4: to connect this to some launch somewhere, and they did

1:01:59 Speaker 4: it for a year, saying no one could ever connect

1:02:02 Speaker 4: this footage.

1:02:03 Speaker 2: The shape of it is odd too, if I mean,

1:02:07 Speaker 2: we're probably getting some sort of distortion from from the

1:02:11 Speaker 2: zoom in and the pixilation, but the shape of it

1:02:14 Speaker 2: kind of looks like it's like some like it's like

1:02:16 Speaker 2: you said, it's.

1:02:17 Speaker 4: Like it almost looks like a capsule with three nozzles

1:02:22 Speaker 4: thrusting at the bottom.

1:02:23 Speaker 2: Yeah, and it's like intermittently thrusting, which is another sign

1:02:29 Speaker 2: that this is being well.

1:02:31 Speaker 4: I timed it when I edited it, and when the

1:02:33 Speaker 4: thrusters kick on, it slows down a little bit.

1:02:36 Speaker 3: Did it just become translucent?

1:02:38 Speaker 4: Well, I've got I've got things inverted here so that

1:02:41 Speaker 4: you can see it better.

1:02:42 Speaker 2: Oh okay, okay, yeah, sorry, color blindness doesn't always see it. Wow,

1:02:47 Speaker 2: this is really something because.

1:02:50 Speaker 4: There's all three of them. You can see them.

1:02:52 Speaker 2: Yeah, you can see the detail of the craters around it,

1:02:55 Speaker 2: which gives it that separation again that you know is

1:02:58 Speaker 2: like we talked about earlier, so you cant you know,

1:03:01 Speaker 2: this thing is definitely there, So I was.

1:03:05 Speaker 4: The bad thing is when you have a telescope and

1:03:07 Speaker 4: you try to track something moving, it is so difficult.

1:03:10 Speaker 4: So I did the best I could. I can't remove

1:03:13 Speaker 4: it quite a while. Yeah, And it's reversed when you move.

1:03:17 Speaker 4: Everything is reversed in the image, so when you move,

1:03:20 Speaker 4: you know, it's it's very difficult. I eventually after a

1:03:23 Speaker 4: few minutes, lost it and I couldn't reacquire it. But

1:03:25 Speaker 4: I do have quite a long period filming it.

1:03:29 Speaker 2: Say, for anyone who's like, oh uh okay, grab a

1:03:35 Speaker 2: telescope for me and try to go film the moon

1:03:38 Speaker 2: right now with with a without you know, like like

1:03:43 Speaker 2: pick something to track and track it for me and

1:03:46 Speaker 2: let me see your results.

1:03:47 Speaker 3: Because it is fucking one of the hardest things to do.

1:03:51 Speaker 2: I cannot do it.

1:03:52 Speaker 4: I can't do it so difficult. I got good at it,

1:03:55 Speaker 4: but no end yep.

1:03:59 Speaker 2: That one that is very interesting because that seems intelligently crafted.

1:04:04 Speaker 4: I don't think there's any doubt that that's tech and

1:04:07 Speaker 4: that those are thrust or engines. I have stills in

1:04:11 Speaker 4: some of my other footage where I break it down

1:04:13 Speaker 4: and get good clean shots of it.

1:04:16 Speaker 2: If we didn't land on the moon, what are we

1:04:18 Speaker 2: doing right there?

1:04:19 Speaker 4: Lord only knows. I mean, we know how much surveillance

1:04:22 Speaker 4: they're doing right Like back then, I could film a

1:04:25 Speaker 4: week and film nothing. You can't do that now. If

1:04:28 Speaker 4: you go out and point a camera up, the sky

1:04:30 Speaker 4: is just full of what I assume are mostly you know,

1:04:34 Speaker 4: surveillance type things. Who knows what else might be in

1:04:37 Speaker 4: with them. I mean, I don't know, but I do

1:04:40 Speaker 4: know that there's a lot of tech up there.

1:04:42 Speaker 3: Right right, the moon is only half.

1:04:46 Speaker 4: A degree if you hold your pinky finger out at

1:04:48 Speaker 4: arm's length. That's half a degree. That's the moon. So

1:04:51 Speaker 4: watch the top of the moon here. This is the thruster.

1:04:54 Speaker 4: I had two here. It is right here, very quick.

1:04:57 Speaker 4: I had two cameras going, one in full specctrum, one

1:05:01 Speaker 4: in visual the full spectrum. Is this pink footage that

1:05:04 Speaker 4: the visual spectrum could not see this it's a vortex.

1:05:08 Speaker 4: Some craft or some portal or something made this vortex.

1:05:12 Speaker 4: And watch as I break it down here. So with

1:05:15 Speaker 4: two cameras, only the full spectrum could see it. The

1:05:18 Speaker 4: other camera couldn't see this.

1:05:22 Speaker 2: This is something opening and disappearing right, well, that does

1:05:28 Speaker 2: and that that is it's crazy.

1:05:31 Speaker 4: I here, it is very slow, frame by frame.

1:05:37 Speaker 2: This is that's like some Star Wars looking shit, right.

1:05:42 Speaker 2: It looks like a black hole is opening.

1:05:44 Speaker 4: Yep.

1:05:46 Speaker 2: Have you ever seen the images of a black hole?

1:05:49 Speaker 2: I have that Tell me that doesn't look exactly like that.

1:05:53 Speaker 3: Something.

1:05:54 Speaker 4: This happened so quickly. My wife was actually filming when

1:05:57 Speaker 4: this happened. And the fact that she even saw it,

1:05:59 Speaker 4: because when you see the live footage, it happens in

1:06:01 Speaker 4: a second, but it's clearly a vortex. It's clearly not

1:06:06 Speaker 4: seeable in the visual spectrum like our eyes use. And

1:06:10 Speaker 4: had I not had a full spectrum camera, we would

1:06:12 Speaker 4: have never known, ever.

1:06:13 Speaker 2: Known that that was there.

1:06:14 Speaker 4: That wow, pretty crazy piece of footage. One of my favorites.

1:06:19 Speaker 3: And that you know what that goes to say is

1:06:21 Speaker 3: how many things have you not captured? Lord only knows

1:06:25 Speaker 3: right with what you have captured? What haven't you?

1:06:30 Speaker 2: You know that that's that? That was crazy. That's so here. Okay,

1:06:37 Speaker 2: someone not see this stuff and go okay, we need

1:06:40 Speaker 2: to do some uh digging.

1:06:42 Speaker 4: You got to start observing and questioning what you've been told.

1:06:46 Speaker 4: There's clearly more going on. When when they come to

1:06:48 Speaker 4: their big disclosure and they tell me these are the

1:06:51 Speaker 4: good guys, I'm not only not going to accept it,

1:06:54 Speaker 4: I'm going to say, so wait a minute, the world's

1:06:56 Speaker 4: in the state it is, and you're friends with good aliens,

1:06:58 Speaker 4: and they let our world get into this state. You know,

1:07:01 Speaker 4: common logic tells me something else is going on here.

1:07:05 Speaker 3: Yeah, very much so.

1:07:07 Speaker 2: And I mean.

1:07:12 Speaker 4: And by the way, we get the biggest producer in

1:07:14 Speaker 4: the world to put out a film of the same name,

1:07:17 Speaker 4: which is clearly social engineering. He names it disclosure. When

1:07:21 Speaker 4: they're doing disclosure, that's a bit spot on for me.

1:07:24 Speaker 2: Yeah, it's again, it's it's and I've been saying this,

1:07:29 Speaker 2: uh for at least since Age of Disclosure came out

1:07:34 Speaker 2: and Disclosure Day and now, by the way, they just

1:07:38 Speaker 2: dropped a trailer for this, like it's it's like it's

1:07:45 Speaker 2: got all the normal like David Grush stuff in it,

1:07:49 Speaker 2: David Grush in it, the UFO whistleblower, but it's like

1:07:52 Speaker 2: all this all these like religious scholars in it, and

1:07:56 Speaker 2: it's framing it in the sense that like the church

1:08:00 Speaker 2: needs to take lead on this and the I forget

1:08:03 Speaker 2: what it's called, but it's like, dun't done religious disclosure,

1:08:09 Speaker 2: Like I'm making it up because I can't remember, but

1:08:11 Speaker 2: like religious disclosure. So again, it seems like they're trying

1:08:15 Speaker 2: to get that word disclosure in the public lexicon.

1:08:19 Speaker 4: Yeah, the disclosure definitely is. If you go back to

1:08:21 Speaker 4: a place like India, which has the by far the

1:08:24 Speaker 4: best long cycles of time tracking through the Yuga cycles,

1:08:28 Speaker 4: they tell us that we're coming out of the Dark

1:08:30 Speaker 4: Ages or the Iron Age or the Cali Yuga. But

1:08:33 Speaker 4: if you talk to them about other life forms, they'll

1:08:36 Speaker 4: list ones that will blow your mind. But it is

1:08:38 Speaker 4: all from a spiritual point of view, saints would go

1:08:42 Speaker 4: into meditation and their spiritual feeld and they would be

1:08:45 Speaker 4: taught by these beings. So it's a very different point

1:08:48 Speaker 4: of view than having Hollywood show you that a gray

1:08:51 Speaker 4: wants to antally probe you or whatever they're showing.

1:08:53 Speaker 2: This week, right, And I couldn't. I could not agree

1:08:57 Speaker 2: more with you. I know that when I did, when

1:09:02 Speaker 2: I when I've had some of the experiences I've had

1:09:06 Speaker 2: on certain things, uh, you know, I went to a

1:09:11 Speaker 2: different place and I saw something that wasn't a human

1:09:20 Speaker 2: I don't know what it wasn't a machine elf Like, yeah,

1:09:25 Speaker 2: well I was doing That's what I was doing. And

1:09:29 Speaker 2: because I was doing it with Paul Heinick, the gay

1:09:32 Speaker 2: Allen Heineck's son from Project Blue Book like the Air Force,

1:09:37 Speaker 2: the Air Force uh investigation into UFOs. His son is

1:09:43 Speaker 2: like a d M T Shaman like certified and wow,

1:09:48 Speaker 2: great dude and the best person to do GMT with

1:09:52 Speaker 2: by the way. Uh So I saw this being it

1:09:57 Speaker 2: was like at I can't really explain like where I

1:09:59 Speaker 2: was because again the language doesn't exist, but it's almost

1:10:03 Speaker 2: like the universe was surrounding me and there was this

1:10:07 Speaker 2: clear coating that I was walking on, but that separated

1:10:11 Speaker 2: me from falling into the abyss. But it was just there.

1:10:15 Speaker 2: It was all these amazing colors around me as well,

1:10:19 Speaker 2: and I'm colorblind, so I was seeing color, Oh what

1:10:23 Speaker 2: I've never seen.

1:10:24 Speaker 4: So don't you have to kind of ask? Were you

1:10:26 Speaker 4: physically there? Or did this all occur within your mind?

1:10:29 Speaker 2: These are all questions I've had to ask, and I've

1:10:33 Speaker 2: desperately tried to go back to this place, desperately because

1:10:38 Speaker 2: so I'm walking along and I remember so no words

1:10:42 Speaker 2: are spoken, not out loud at least, but something all

1:10:47 Speaker 2: of a sudden, I get the feeling that I shouldn't

1:10:49 Speaker 2: be here, like.

1:10:52 Speaker 3: Something was watching. And then I remember looking up and

1:10:55 Speaker 3: seeing this cloaked being.

1:10:58 Speaker 2: And when I look up and made contact with its face,

1:11:03 Speaker 2: it didn't have eyes. It was like it was more

1:11:05 Speaker 2: like a hood like typical grim reaper look.

1:11:09 Speaker 3: But it wasn't.

1:11:10 Speaker 2: I didn't feel like it was about to fucking ax me.

1:11:14 Speaker 2: It just it was formed. And as soon as I

1:11:19 Speaker 2: made like, I not eye contact again, that's not the

1:11:22 Speaker 2: right word. I got the sense that it was the

1:11:28 Speaker 2: one feeling that way.

1:11:30 Speaker 3: It wasn't me feeling that I shouldn't be there.

1:11:32 Speaker 2: That thing was thinking about me, saying you shouldn't, you

1:11:36 Speaker 2: shouldn't be here right now? And I got this like

1:11:39 Speaker 2: overwhelming kind of like like fuck you, who are you to.

1:11:43 Speaker 3: Tell me where I can and can't be?

1:11:45 Speaker 2: So I kind of like was aggravated with it, and

1:11:49 Speaker 2: I tried to walk by, and as soon as I

1:11:51 Speaker 2: got by it boom snapped right back into my body.

1:11:55 Speaker 4: Would you describe it as a spiritual experience or with

1:11:58 Speaker 4: very so? I think this is the big divide in

1:12:02 Speaker 4: what modern science has allowed. In many ways, modern science

1:12:06 Speaker 4: has left us two thirds blind. The old philosophical natural

1:12:10 Speaker 4: sciences recognized body, spirit and soul. Science only recognizes the body.

1:12:15 Speaker 4: So we're two thirds blind by that standard. And if

1:12:18 Speaker 4: you're going to describe your experience is spiritual, well there's

1:12:21 Speaker 4: no room for you in the paradigm on this side.

1:12:24 Speaker 4: But what we're waking up to is there is indeed

1:12:29 Speaker 4: a spiritual existence that we have not tapped into very regularly,

1:12:33 Speaker 4: which many, many people are waking up to. And it

1:12:36 Speaker 4: sounds like maybe in your own way, you did.

1:12:38 Speaker 3: Yeah.

1:12:39 Speaker 2: On three different occasions, I've had what I would describe

1:12:43 Speaker 2: as a you know, spiritual like spiritual, fundamental change, like

1:12:52 Speaker 2: an experience that fundamentally changed me. But you know, looking

1:12:56 Speaker 2: back on it, it's like you can see the shift

1:12:59 Speaker 2: in consciousness from one thing to the other, like the

1:13:02 Speaker 2: growing of mind, body, and soul from each event, you know,

1:13:08 Speaker 2: kind of pushing the ball forward, and you know, I

1:13:10 Speaker 2: hope I get another one.

1:13:12 Speaker 3: I really do.

1:13:13 Speaker 2: But you know, one of them came with my mother's death,

1:13:17 Speaker 2: So it's it doesn't always happen at the moments you

1:13:19 Speaker 2: think like these joyous like DMT moments. It's it's it

1:13:24 Speaker 2: was also like the most emotionally unstable moment of my

1:13:28 Speaker 2: life was holding my mother's hand as she left. And

1:13:32 Speaker 2: then you know, you know that like you know that

1:13:36 Speaker 2: line that you watched it go over the moon, the wave, Yep,

1:13:40 Speaker 2: it's like that.

1:13:41 Speaker 3: But ball a ball.

1:13:43 Speaker 2: It was like, you know, kind of clear, translucent, like

1:13:46 Speaker 2: light was bending around it. It wasn't emitting light, but

1:13:50 Speaker 2: light was bending around it. The softball size of that,

1:13:54 Speaker 2: like kind of like when you look up a highway

1:13:55 Speaker 2: on a hot day, that dispersion blur if you balled

1:13:59 Speaker 2: it up into like a soft ball size. My mom

1:14:02 Speaker 2: was alive in the bed. I see this thing across

1:14:05 Speaker 2: my field division. So it goes length of the room

1:14:08 Speaker 2: across the field division, and then width of the room

1:14:12 Speaker 2: and out the window, and then I lose it because

1:14:14 Speaker 2: it doesn't it's not emitting light. It's so then I

1:14:18 Speaker 2: just lose it with the surroundings of the outside. And

1:14:21 Speaker 2: when I look back, my mother's now gone. That moment

1:14:27 Speaker 2: worth this show.

1:14:29 Speaker 4: Oh wow, that's how you got here. But I would

1:14:31 Speaker 4: ask you, so as you sit here and pretend anticipation

1:14:35 Speaker 4: for this big disclosure, can you imagine the kind of

1:14:39 Speaker 4: spiritual experience you just described, which was first hand observation

1:14:43 Speaker 4: on your part having anything to do with the grays

1:14:46 Speaker 4: or reptilians or whatever it is that they're going to

1:14:48 Speaker 4: pull from a Hollywood precept and put fear in it.

1:14:52 Speaker 4: These are the bad guys or there. You know, that's

1:14:54 Speaker 4: what's always with it. And it occurs to me that

1:14:57 Speaker 4: if there are many other life forms, and that means

1:15:00 Speaker 4: they've been around for a long time and they had

1:15:02 Speaker 4: to learn how to live with each.

1:15:03 Speaker 2: Other, right existence. Yeah, it's necessary.

1:15:06 Speaker 4: When you talk to people about this place, like as

1:15:09 Speaker 4: an example, the alchemist described this as a very difficult,

1:15:15 Speaker 4: very dense material place going to so far as to

1:15:19 Speaker 4: even saying, like the angles, a ninety degree angle was

1:15:22 Speaker 4: described as an angle of sorrow. We all live in

1:15:25 Speaker 4: ninety degree angles in these boxes. All life was described

1:15:29 Speaker 4: as a cube. Here the idea of carbon was matched

1:15:32 Speaker 4: with a cube. That's all angles of sorrow. Then they

1:15:35 Speaker 4: taught us about the angles of joy. That's like a

1:15:37 Speaker 4: perfect triangle. Those are the angles of joy. If you

1:15:40 Speaker 4: take the corner of a room and you shoot energy

1:15:44 Speaker 4: down and it makes it to the corner, that energy crashes.

1:15:47 Speaker 4: But if you take like the letter why, the angles

1:15:50 Speaker 4: of joy, it converges and there is no collision of energy.

1:15:54 Speaker 4: And we never were taught in school about angles of

1:15:57 Speaker 4: sorrow and angles of joy. If you go to from

1:16:00 Speaker 4: Japan to this day, when you go to a street,

1:16:04 Speaker 4: it won't come to a corner where the two streets meet.

1:16:07 Speaker 4: It will be flattened off with a shishi dog that

1:16:10 Speaker 4: chases away evil spirits standing right there. Because they knew

1:16:14 Speaker 4: about the angles of sorrow. What are they describing? Why

1:16:17 Speaker 4: are they doing these things? And this is what I'm

1:16:20 Speaker 4: talking about. There is a spiritual side which is oh

1:16:24 Speaker 4: so important that we have literally nearly been robbed of

1:16:27 Speaker 4: because religion and spirituality are very different things. And this world,

1:16:33 Speaker 4: every religion I know of is a corporation. Even the

1:16:37 Speaker 4: word tells me a corpse, that's a dead body, and

1:16:40 Speaker 4: these bodies are given the rights of a person that

1:16:43 Speaker 4: is not spirituality at the level I'm interested in.

1:16:47 Speaker 2: Not me either neither. And I thought I brought out there.

1:16:52 Speaker 2: If you're pastor is flying around on a private jet

1:16:59 Speaker 2: and lives in a mansion, materialism, right, and then you know,

1:17:06 Speaker 2: begs for donations, and that's you know, ninety percent of

1:17:10 Speaker 2: the service is asking for donations, like these televangelists that

1:17:15 Speaker 2: have grown.

1:17:16 Speaker 3: I don't know how.

1:17:17 Speaker 2: I don't know how people can't see through that bullshit

1:17:20 Speaker 2: because they need.

1:17:21 Speaker 4: A spiritual life and we've been offered these.

1:17:24 Speaker 2: Why like that, like a real church that like it.

1:17:27 Speaker 2: You know, maybe they're just you know, I mean, I'm

1:17:31 Speaker 2: in Boston, so I kind of have to make the

1:17:33 Speaker 2: joke as I always have, but like we're the worst

1:17:36 Speaker 2: thing here is you know, you get touched by a priest,

1:17:40 Speaker 2: I mean that's terrible.

1:17:41 Speaker 4: But I'm just not Maybe that's a stepping stone, you know,

1:17:45 Speaker 4: maybe you have to slum to know how to get

1:17:48 Speaker 4: to a better neighborhood.

1:17:49 Speaker 2: It isn't it weird that like the priests, right, the priests,

1:17:53 Speaker 2: and like the boys, right, the kids, And then you

1:17:55 Speaker 2: look at like the Epstein shit and what they were doing,

1:17:58 Speaker 2: and I feel like people, yeah, exactly, it's pure fucking

1:18:04 Speaker 2: it's pure evil.

1:18:06 Speaker 3: And I feel like a lot of.

1:18:08 Speaker 2: People in the UFO community specifically, and like the paranormal communities,

1:18:12 Speaker 2: and you know, I just call it the phenomena. But

1:18:16 Speaker 2: all the people in these places they don't want to

1:18:18 Speaker 2: they don't want to connect things like that to this

1:18:22 Speaker 2: broader UFO thing or this broader like spirituality because they

1:18:27 Speaker 2: think it they think it taints it. It's like, no,

1:18:30 Speaker 2: it's the balance of good and evil. Like Epstein, what

1:18:34 Speaker 2: they were doing on that island, like the sexual stuff was.

1:18:38 Speaker 3: One part of it. But we have we need to

1:18:41 Speaker 3: ask why he was.

1:18:43 Speaker 2: Interested in what he was interested in, and why was

1:18:47 Speaker 2: he recruiting scientists from Los Alamos, Why was he interested

1:18:52 Speaker 2: in genetic engineering?

1:18:54 Speaker 3: Why was he you know, funding.

1:18:58 Speaker 2: Uh, certain science is in certain certain avenues, like Eric

1:19:04 Speaker 2: Weinstein's work. Why was he doing all this?

1:19:08 Speaker 4: It's evil And apparently there are a lot of people

1:19:11 Speaker 4: who think that in every era, shift there are times

1:19:15 Speaker 4: when evil makes a run for the whole Enchilada. If

1:19:17 Speaker 4: I asked you a question like, look at the biggest

1:19:20 Speaker 4: things that affect the whole world, Like a movie The

1:19:22 Speaker 4: Terminator that's good versus evil? How about a bigger one

1:19:25 Speaker 4: like Star Wars. Isn't the actual complete storyline about the

1:19:29 Speaker 4: dark side trying to take over everything? You can go

1:19:33 Speaker 4: over and over. You can go to Marvel movies. There's

1:19:35 Speaker 4: an evil. It's always this evil and what are they

1:19:38 Speaker 4: always doing trying to take over the world? And in

1:19:41 Speaker 4: the case of this last one that came out a

1:19:43 Speaker 4: year before the scam Deemick, it was called Endgame And

1:19:48 Speaker 4: what did they want to do? Remove half of everybody?

1:19:51 Speaker 4: What we had all just seen the guidestones that informed

1:19:54 Speaker 4: us they only want five hundred million of the eight

1:19:56 Speaker 4: point three billion they claim are here to pull it

1:20:00 Speaker 4: back around, ty, I want to make sure you get

1:20:02 Speaker 4: a shot at the remaining footage I have before I

1:20:05 Speaker 4: run out of time.

1:20:08 Speaker 2: Yeah, so let's we'll go rapid.

1:20:11 Speaker 4: So here's the boomerang.

1:20:13 Speaker 2: Oh say, this is a wing.

1:20:16 Speaker 4: So what you're gonna notice there? There's I think we

1:20:20 Speaker 4: have I hope we have the other boomerang. I'm not

1:20:22 Speaker 4: sure if we've only got one. There's two that I

1:20:25 Speaker 4: call boomerangs. There's another one that tips and pulls. But

1:20:29 Speaker 4: if you watch this closely, it's kind of rotating around

1:20:33 Speaker 4: and it seems like one part is almost connected but

1:20:36 Speaker 4: detached in some way. And we're gonna blow your mind

1:20:46 Speaker 4: when you see the level of solar filming we're able

1:20:49 Speaker 4: to do.

1:20:49 Speaker 2: Now, it's truly did you see what you're saying? Though?

1:20:52 Speaker 4: Almost feels like there's a portion of it that's connected

1:20:55 Speaker 4: but somewhere.

1:20:58 Speaker 2: Whoa that is?

1:21:00 Speaker 3: And this is oh good?

1:21:01 Speaker 4: Oh, here's some other objects that I filmed. And you

1:21:04 Speaker 4: got to realize the moon a full moon is half

1:21:06 Speaker 4: a degree of sky. So for me to film this

1:21:09 Speaker 4: many things and half a degree of sky, it kind

1:21:11 Speaker 4: of tells you there's a lot of things up there

1:21:13 Speaker 4: there must be.

1:21:14 Speaker 2: Right right, This is yeah, that's actually a really good point. Right,

1:21:19 Speaker 2: this is only one degree of sky, half half a

1:21:23 Speaker 2: degree sorry, not even a full degree of sky, that

1:21:26 Speaker 2: is you know, this is this is crazy.

1:21:31 Speaker 4: That I filmed so many of UFOs or whatever are

1:21:35 Speaker 4: that look like this. This one is coming from the

1:21:38 Speaker 4: right headed downwards, and I only included things that I

1:21:42 Speaker 4: can absolutely vet. You come to know when you're filming

1:21:45 Speaker 4: a bird or a bug or something else. These are

1:21:47 Speaker 4: only objects that I know certainly, are objects.

1:21:50 Speaker 2: Right that you've done? And are you I know you're

1:21:54 Speaker 2: you said that you can't really trust it, but you're

1:21:57 Speaker 2: you are?

1:21:57 Speaker 3: Like are you tracking satellites and where they are?

1:22:00 Speaker 4: And satellites don't exist as described. I think that what

1:22:05 Speaker 4: we would call a satellite are mostly on lighter than

1:22:07 Speaker 4: air in our atmosphere or on balloons in our atmosphere.

1:22:12 Speaker 4: I don't accept that anything goes beyond our atmosphere that

1:22:16 Speaker 4: is physical.

1:22:17 Speaker 2: Okay, So what is your then?

1:22:24 Speaker 3: With that being said, are these things non human?

1:22:28 Speaker 4: My go to is I can guess that what these are,

1:22:31 Speaker 4: like you can, and so.

1:22:34 Speaker 2: Of course, yeah, I think that many.

1:22:37 Speaker 4: Of them probably are some kind of tech doing surveillance.

1:22:40 Speaker 4: But I mean, the number of these little things that

1:22:43 Speaker 4: are up there will blow your mind. And this is

1:22:44 Speaker 4: all the way back in twenty twelve, twenty thirteen, twenty fourteen.

1:22:48 Speaker 4: If you go out now, the entire sky is full

1:22:51 Speaker 4: of drone looking things and other things, but it remains

1:22:55 Speaker 4: to be seen what they're I think to do a

1:22:58 Speaker 4: decent job we should assume that we know human beings

1:23:01 Speaker 4: make tech, so maybe that's what this is, but we

1:23:03 Speaker 4: don't know. It could be something else, right.

1:23:06 Speaker 2: Right, yeah, absolutely absolutely? Oh gosh, So how many how

1:23:12 Speaker 2: many hours of footage do you think you've a masked?

1:23:14 Speaker 4: Oh? Lord, I thousands of clips? I don't know.

1:23:23 Speaker 3: And this is the moon and the sun, or you

1:23:25 Speaker 3: just moon.

1:23:27 Speaker 4: Sun and sky, daytime sky. But how much time do

1:23:33 Speaker 4: we have? I don't want to I don't want to

1:23:34 Speaker 4: run out of time before I show you some of

1:23:35 Speaker 4: the solar stuff.

1:23:38 Speaker 3: We got about another twenty minutes.

1:23:41 Speaker 4: Okay, So you're looking at a looping prominence. Here, you

1:23:44 Speaker 4: see the electromagnetic shapes. If you take a magnet into

1:23:47 Speaker 4: a sandbox, it's the same shape made that you're seeing

1:23:50 Speaker 4: here when you pick up the iron filings with a magnet.

1:23:53 Speaker 4: This this is the limb of the sun shot in

1:23:56 Speaker 4: hydrogen alpha. Hydrogen alpha is a specific wavelength all the

1:24:00 Speaker 4: way over to the very edge of visual in the

1:24:03 Speaker 4: red the color red. Here. I speed it up so

1:24:06 Speaker 4: you can really get a sense of that electromagnetic swirling.

1:24:12 Speaker 4: Now I shoot this in black and white to get

1:24:15 Speaker 4: max detail. You're a camera gey, so you'll understand why

1:24:18 Speaker 4: that's true. The only thing that is not natural in

1:24:21 Speaker 4: everything I'm showing you is the color. I assign that,

1:24:24 Speaker 4: but every other thing is unedited. That's a coronal mass

1:24:28 Speaker 4: injection that I filmed in real time. This is a

1:24:31 Speaker 4: sun spot time lapsed over time. This is the surface

1:24:35 Speaker 4: of the sun and it looks like human tissue. The

1:24:38 Speaker 4: image is inverted to show the three D nature. And

1:24:41 Speaker 4: I have these prints because subs were requesting them. Some

1:24:44 Speaker 4: of them print up to fifty inches. It'd be good

1:24:47 Speaker 4: for your studio.

1:24:49 Speaker 2: Yeah, it really would be. This is it's just, you know,

1:24:53 Speaker 2: it's so weird seeing in the sun like this.

1:24:55 Speaker 4: This this is the surface of the sun shot in

1:24:58 Speaker 4: hydrogen outfit. It looks like issue, doesn't it?

1:25:01 Speaker 2: Issue?

1:25:02 Speaker 4: Does the sun is conscious? That is one thing I

1:25:06 Speaker 4: absolutely accept. Here's a blackout shot with the prominences, which

1:25:10 Speaker 4: are the flame looking things, and the little spiky things

1:25:13 Speaker 4: are called spicules. They live for about eight minutes.

1:25:17 Speaker 3: All right. So the little lines everybody draws on the sun.

1:25:20 Speaker 4: Right, yep, the little spiky daily whoppers.

1:25:23 Speaker 2: Yeah, so those actually exist. So you think that the

1:25:28 Speaker 2: sun is a conscious being?

1:25:30 Speaker 4: Absolutely? I ask a question, how could it provide in

1:25:35 Speaker 4: foster life. If it was dead, if it had no life,

1:25:38 Speaker 4: how could it offer what we need to be?

1:25:40 Speaker 1: Like?

1:25:40 Speaker 4: This is Rose's favorite shot. That's a close up of

1:25:43 Speaker 4: a sun spot showing the three D nature.

1:25:46 Speaker 2: What no now a sun spot?

1:25:48 Speaker 4: Right? What is a It's a hole in the outer shell.

1:25:53 Speaker 4: If you do a close up, you can actually see

1:25:55 Speaker 4: the little tentacles going down and sparking at their tips

1:25:59 Speaker 4: in there. It's really interesting.

1:26:02 Speaker 3: And are those bad or is that normal?

1:26:07 Speaker 4: I don't view anything about the sun as bad. Anything

1:26:11 Speaker 4: the Sun does, and my view, is supposed to happen.

1:26:14 Speaker 4: It's the only thing that allows us to be alive.

1:26:16 Speaker 4: It is literally providing everything we need to be alive.

1:26:21 Speaker 4: So if it does something we don't particularly care for,

1:26:24 Speaker 4: I still accept it because I accept that that's what

1:26:27 Speaker 4: needed to happen.

1:26:28 Speaker 3: Got you know what, that is actually a very fair point.

1:26:32 Speaker 4: So I put up all kinds of stills when people requested,

1:26:35 Speaker 4: but all of my solar work is exclusively at Crow

1:26:39 Speaker 4: triplesevenradio dot Com. I no longer put my work on

1:26:43 Speaker 4: platforms that censor it or claim ownership. So I have

1:26:47 Speaker 4: twenty videos that are only allowed for membership that cover

1:26:52 Speaker 4: my three years now of filming the sun with very

1:26:55 Speaker 4: high end tools. I saved ten years for the telescope

1:26:59 Speaker 4: that does this, and when I bought it, the guy

1:27:01 Speaker 4: told me only three like that have been sold in

1:27:03 Speaker 4: North America. Really those are sun spots. But yeah, I

1:27:10 Speaker 4: think your studio would look awesome. I someone painted printed

1:27:14 Speaker 4: this on glass and backlit it, and it's stunning.

1:27:18 Speaker 2: That would be amazing looking.

1:27:23 Speaker 1: This is.

1:27:24 Speaker 2: It's just crazy like little strands and yeah, yeah, it

1:27:28 Speaker 2: really does. It does look alive.

1:27:33 Speaker 4: It's alive.

1:27:34 Speaker 3: Why aren't more people seeing this?

1:27:39 Speaker 4: The sun is the most difficult thing to film. I

1:27:42 Speaker 4: can't even explain to you how difficult it is. When

1:27:45 Speaker 4: I do these moving shots. I have to film for

1:27:48 Speaker 4: a minimum of three hours. The data alone can be

1:27:51 Speaker 4: a terabyte of data to do what I'm doing here,

1:27:55 Speaker 4: not only that, to film something so bright out in

1:27:58 Speaker 4: the heat of the day. That's three different views of

1:28:01 Speaker 4: a filament on the sun. That's that's a prominence that

1:28:04 Speaker 4: you're looking straight down on that white line. The white

1:28:08 Speaker 4: is inverted, the black is as you see it with

1:28:10 Speaker 4: your eyes, and the color is as you see it

1:28:12 Speaker 4: with your eyes with color added. And I choose that

1:28:15 Speaker 4: color because your eye kind of expects the sun to

1:28:17 Speaker 4: be like that.

1:28:19 Speaker 3: Yes, I think that's a fair thing to do.

1:28:22 Speaker 4: Helps you, helps you digest it.

1:28:23 Speaker 2: Maybe, yeah, And I put there's a QR code up

1:28:26 Speaker 2: on the screen right now for anyone. It will bring

1:28:29 Speaker 2: you to crow Crow Radio where you can so crow

1:28:35 Speaker 2: Crow seven seven seven Radio with two rs.

1:28:39 Speaker 4: Yeah c r r ow seven seven seven radio dot com.

1:28:43 Speaker 4: And once you're a sub, you get exclusive access to everything,

1:28:46 Speaker 4: including the most polite forums and comments sections you'll ever find.

1:28:51 Speaker 3: I love it, so you know those.

1:28:54 Speaker 2: There are these videos that came out some I can't

1:28:58 Speaker 2: remember if it's like some years ago or a year ago,

1:29:02 Speaker 2: but it was like this craft and it seemed like

1:29:05 Speaker 2: it was pulling matter from the sun.

1:29:09 Speaker 4: Oh yeah, yeah, yeah, I remember that. It was a

1:29:11 Speaker 4: big ball. My problem now is that video is evidence

1:29:15 Speaker 4: of nothing because of AI and the length of time

1:29:18 Speaker 4: we know they've had it, because by the time we

1:29:20 Speaker 4: get anything, they've had it for years, decades, lord knows

1:29:23 Speaker 4: how long, half a century, who knows. But if you

1:29:27 Speaker 4: don't know who absolutely shot the footage, it's not evidence

1:29:30 Speaker 4: that matters. If you don't absolutely know who shot at it.

1:29:34 Speaker 4: If they are trustable and unfortunately, that is the state

1:29:37 Speaker 4: of the Internet.

1:29:38 Speaker 2: Now, right, yeah, very much.

1:29:40 Speaker 3: So it's not sourced, like it's nothing sourced.

1:29:44 Speaker 4: Well, I shot all this, and I swear to the

1:29:47 Speaker 4: Lord above that everything you're looking at, except for the

1:29:50 Speaker 4: color is as the creation exists. The color I assigned.

1:29:54 Speaker 4: All the rest of it is what's actually there in

1:29:57 Speaker 4: the hydrogen olphal wavelength. Another thing about the Sun is

1:30:00 Speaker 4: if you just slightly change the wavelength, the whole view

1:30:04 Speaker 4: changes drastically. It's incredible, right, just incredible.

1:30:10 Speaker 3: I mean, like.

1:30:13 Speaker 2: Right now looking at that, and then like looking down

1:30:16 Speaker 2: on the actual Sun, like the mass, the big mass,

1:30:21 Speaker 2: like with these like almost like like angel hair looking.

1:30:27 Speaker 3: You know, things that are moving and.

1:30:29 Speaker 4: Like filaments and prominence.

1:30:32 Speaker 1: It's just so.

1:30:35 Speaker 2: It's strikingly beautiful.

1:30:38 Speaker 4: There's no doubt in my mind that the Sun is conscious.

1:30:41 Speaker 4: There is no doubt in my mind that for a

1:30:44 Speaker 4: luminary to provide everything life needs to exist cannot come

1:30:48 Speaker 4: from something that is inert or dead. And if that

1:30:53 Speaker 4: is true, and I am correct, then we have been

1:30:55 Speaker 4: led very very far astray, and that we are missing

1:30:59 Speaker 4: a major portion of what it can mean to be

1:31:02 Speaker 4: a human being. I do what's called sun gazing, and

1:31:07 Speaker 4: I'll tell everyone, don't do it because you can damage

1:31:10 Speaker 4: your eyes. You would not give a holapeno to a baby.

1:31:13 Speaker 4: Don't go stir at the sun unless you know what

1:31:15 Speaker 4: you're doing. But I do it, and I can do

1:31:17 Speaker 4: it for long periods of time. I used to need

1:31:20 Speaker 4: glasses to drive my car at night because I have

1:31:22 Speaker 4: a stigmatism, which means my lens was throng shape. Solar

1:31:27 Speaker 4: looking at the sun fixed it. I no longer need

1:31:30 Speaker 4: my glasses at night. When I do that, it feels

1:31:33 Speaker 4: like my whole body is being recharged. It feels like

1:31:36 Speaker 4: I'm being healed and energized at the same time.

1:31:40 Speaker 2: WHOA.

1:31:42 Speaker 4: There was a man on the internet some years ago

1:31:44 Speaker 4: from India who is probably in his seventies, who claimed

1:31:48 Speaker 4: he had fifty years of never eating or drinking and

1:31:51 Speaker 4: no one believed him. So they put him in a

1:31:53 Speaker 4: clinical environment for weeks or something like that, and they

1:31:57 Speaker 4: said he never ate or drank, defecated, peden, none of it.

1:32:00 Speaker 4: And when they asked him how he did it, he said,

1:32:02 Speaker 4: because the sun gives me everything I need.

1:32:05 Speaker 3: WHOA Like photosynthesis, we know that's.

1:32:09 Speaker 2: That's possible, right, Plants, we know.

1:32:11 Speaker 3: That plants do it? We know that it's that, my God.

1:32:16 Speaker 2: That So if we found out tomorrow that the sun

1:32:21 Speaker 2: like I think that would be the biggest mind fuck.

1:32:24 Speaker 1: Is if.

1:32:26 Speaker 2: Instead of like a disclosure like we think right, like

1:32:29 Speaker 2: aliens are among us, but that the sun is a

1:32:34 Speaker 2: living being. I think that would fundamentally what the.

1:32:39 Speaker 4: Old Well, let's use language again. What's the old word

1:32:42 Speaker 4: for the sun? What's the Latin word for the sun?

1:32:45 Speaker 2: Soul?

1:32:46 Speaker 3: There you go, and now that's a fucking wow.

1:32:53 Speaker 4: There you go. Language has meaning and if you pay

1:32:56 Speaker 4: attention to it, you can learn things that you'll never

1:32:59 Speaker 4: be taught in school. Jesus, that soul up there is

1:33:07 Speaker 4: providing for your soul to exist.

1:33:10 Speaker 1: It is.

1:33:12 Speaker 4: What's the other word for the sun? It's sun? Right,

1:33:14 Speaker 4: What do you call your living offspring? That's a boy?

1:33:18 Speaker 2: Yes, the sun.

1:33:21 Speaker 4: And so life. When you create life, you call it

1:33:24 Speaker 4: a sun.

1:33:26 Speaker 2: God man, you are?

1:33:29 Speaker 3: You got a philosophical way of looking at things. I

1:33:33 Speaker 3: like it. We think similar in a similar way.

1:33:37 Speaker 2: Do you think are the ancient ancient civilizations were more

1:33:41 Speaker 2: Maybe they had less distraction and were more in tune

1:33:45 Speaker 2: with what these things actually were. Maybe that's why they

1:33:48 Speaker 2: built temples to the sun, temples to the moon, temples

1:33:52 Speaker 2: to the gods, And what if the gods are these

1:33:55 Speaker 2: lest beings and these objects.

1:33:58 Speaker 4: Well they are. I mean, you can see they named Zeus,

1:34:01 Speaker 4: was Jupiter, Saturn, you know they have the names just

1:34:05 Speaker 4: like those became our days of the week. That's how

1:34:08 Speaker 4: important they were. But yes, they were far ahead of us,

1:34:11 Speaker 4: and people might say, what, Well, let me try to

1:34:13 Speaker 4: explain myself. I got to a point in this world

1:34:17 Speaker 4: post nine to eleven, where I started to wonder is

1:34:19 Speaker 4: anything true or is this just all a fake, big game?

1:34:22 Speaker 4: And then one day I realized I'm surrounded by truth.

1:34:25 Speaker 4: And on that day a weight was lifted because I

1:34:28 Speaker 4: realized that I'm surrounded by nature, and all truth exists

1:34:32 Speaker 4: in nature and is proven by nature. And on that

1:34:36 Speaker 4: day I was joy filled because I can go have

1:34:40 Speaker 4: truth any day of the week. And when I learned

1:34:43 Speaker 4: something from nature, I know for a fact that I

1:34:45 Speaker 4: can take it to the bank, because nature doesn't lie

1:34:48 Speaker 4: to me. All truth resides in nature. These ancient cultures

1:34:52 Speaker 4: were so much more in tune with nature that we

1:34:55 Speaker 4: probably can't even think in the ways they did. If

1:34:58 Speaker 4: you took some of the native people that we call

1:35:01 Speaker 4: the Indians here in this continent. For them to go

1:35:05 Speaker 4: out into a forest, imagine the things they would have

1:35:07 Speaker 4: been able to do and know that we probably can't

1:35:10 Speaker 4: even fathom. I saw a movie called Black Robe where

1:35:13 Speaker 4: a Jesuit priest got lost in a forest and he

1:35:16 Speaker 4: thought he was going to die. And an Indian found

1:35:18 Speaker 4: him and he said, what's the matter with you? Didn't

1:35:20 Speaker 4: you pay attention to the trees as you walked in?

1:35:23 Speaker 4: And the Jesuit's looking him like, what are you talking about?

1:35:26 Speaker 4: There's a million trees here. What if I did, wouldn't

1:35:28 Speaker 4: have helped me? And the guy was looking at him like,

1:35:30 Speaker 4: my children know more than you do. That is the example.

1:35:34 Speaker 4: And what I have noticed is that authentic quality comes

1:35:39 Speaker 4: from nature and the stuff that is artificial is a knockoff.

1:35:44 Speaker 4: Anything artificial is not in the same quality range.

1:35:48 Speaker 2: Right. Like we think about like the brain as a computer,

1:35:51 Speaker 2: right and then we have our computers right there, Like

1:35:55 Speaker 2: our brains are like supercomputers on on the scale un

1:36:01 Speaker 2: hithered uh in comparison to the things that we have

1:36:04 Speaker 2: as what we call computers. You know, when we try

1:36:09 Speaker 2: to replicate what we see in nature, we we often

1:36:12 Speaker 2: make a cheap knockoff, and you know it's it's it's

1:36:16 Speaker 2: very evident. Yeah, that that that would I mean, do

1:36:24 Speaker 2: you think that it's possible that the Sun is God?

1:36:28 Speaker 3: Or that the universe is God?

1:36:30 Speaker 2: And I don't like to call things God, but because

1:36:33 Speaker 2: it does bring up a certain a certain I don't

1:36:36 Speaker 2: know why I just put a T on the end

1:36:37 Speaker 2: of certain, but it brings up a certain image in

1:36:40 Speaker 2: people's head when I say God. But the source, right,

1:36:45 Speaker 2: the muse, the whatever is at the center of all creation.

1:36:51 Speaker 4: Do you think let me let me, let me share

1:36:53 Speaker 4: this bit of information with you. So for our very

1:36:56 Speaker 4: low three D stuck in material meat suits as we

1:37:00 Speaker 4: are in the Angles of Sorrow. The sun is a

1:37:03 Speaker 4: crucial thing. But in the old writings you can find

1:37:07 Speaker 4: out that they didn't have the idea of orbits. They

1:37:10 Speaker 4: had spiritual hierarchies. So they used to describe from here

1:37:13 Speaker 4: to the Moon as the realm of angels, from the

1:37:16 Speaker 4: Moon to Venus as the realm of arch angels. From

1:37:19 Speaker 4: Venus to Mercury, the archive from Mercury to the Sun

1:37:22 Speaker 4: was called the powers of the Sun. Then when you

1:37:24 Speaker 4: went from the Sun out to Mars, it was the

1:37:27 Speaker 4: Mites as in Mighty. Then when you went from Mars

1:37:30 Speaker 4: to Jupiter, that was the spiritual hierarchy of the dominions.

1:37:35 Speaker 4: Then lastly, when you went from Jupiter to Saturn, that

1:37:39 Speaker 4: was the spiritual hierarchy referred to as the thrones. Beyond

1:37:42 Speaker 4: that where the cherubim, seraphim and starfields. In other words,

1:37:47 Speaker 4: they viewed it all as living spiritual spaces, not dirt

1:37:52 Speaker 4: and rock and orbits, like NASA has told us. So,

1:37:56 Speaker 4: do we have something to learn from them? When they

1:37:58 Speaker 4: were naming things that actually resonated with what they were naming.

1:38:02 Speaker 4: Do we accept them when they told us that sometime

1:38:05 Speaker 4: around the Renaissance we lost spiritual vision which we once had.

1:38:10 Speaker 4: Are their truths? There are there things we can learn from.

1:38:13 Speaker 4: For my part, anything old is valuable because it happens

1:38:17 Speaker 4: before the modern edit or to put that in another way,

1:38:21 Speaker 4: before the technocrats and the richest among us went to

1:38:25 Speaker 4: try to take over the world, which is what we're

1:38:27 Speaker 4: living through.

1:38:27 Speaker 3: Now right right, polluted it.

1:38:30 Speaker 2: And it's like it's almost like what they're doing is

1:38:33 Speaker 2: they're putting so much material distraction in front of you

1:38:38 Speaker 2: that you'll never be able to rise to your fullest

1:38:42 Speaker 2: potential as a human being, and with what consciousness is

1:38:45 Speaker 2: capable of. It's almost like the dumbing down of It's

1:38:49 Speaker 2: a consistent dumbing down, right, you know, of the populace

1:38:56 Speaker 2: spot unprovable.

1:38:57 Speaker 4: Look at the late eighteen hundred, Look at someone's handwriting

1:39:01 Speaker 4: or the furniture they made. Now compare it to now.

1:39:04 Speaker 4: We have young people that can't even read an analog

1:39:06 Speaker 4: clock or handwriting, which means they can't read the Constitution

1:39:10 Speaker 4: or the Bill of Rights. They can't read it. But

1:39:13 Speaker 4: to put a fine point on this, when you go

1:39:17 Speaker 4: back before the early nineteen hundreds, when the Rockefellerization happened

1:39:21 Speaker 4: to us, they had higher qualities. Yeah, it destroyed our

1:39:27 Speaker 4: hospitals and medicine, It destroyed you know, so many things.

1:39:32 Speaker 4: I mean, now our drugs are all made from petrochemicals

1:39:36 Speaker 4: and they don't heal anybody of anything. It was not

1:39:38 Speaker 4: always like this, And so I think we can demonstrate

1:39:42 Speaker 4: that we have been dumbed down. But the good news

1:39:45 Speaker 4: is the energies that are coming to us now are

1:39:48 Speaker 4: facilitating us lifting out of that. I described the eras

1:39:52 Speaker 4: we knew, our grandparents knew, and a millennium before that

1:39:56 Speaker 4: as service to self. The era we're going into is

1:40:00 Speaker 4: to others, and that is based on compassion, love and

1:40:04 Speaker 4: decency and truth, because the truth will set you free.

1:40:08 Speaker 4: So every time you watch daylight savings go away or

1:40:12 Speaker 4: files get dropped to admit just how bad people have been,

1:40:16 Speaker 4: it's because this is happening, and these older low vibrational

1:40:19 Speaker 4: systems have to go away. Now we have a front

1:40:22 Speaker 4: row seat to a new era that eventually, however long

1:40:26 Speaker 4: it takes, will be momentous. But as we know, the

1:40:30 Speaker 4: people in charge will destroy all they can until they're removed.

1:40:35 Speaker 4: This is the mind blower. This is my old footage

1:40:38 Speaker 4: from probably twenty fourteen or fifteen when I accidentally discovered

1:40:42 Speaker 4: the so called second son. This is my old solar equipment.

1:40:47 Speaker 4: Now watch the top. That's the sun we see with

1:40:49 Speaker 4: our eyes with my old telescope. Now watch the top

1:40:52 Speaker 4: of the frame. I started looking around and what's that?

1:40:56 Speaker 4: Something went by the top of the frame. The heck

1:40:59 Speaker 4: is that. Let's see if we can get that into

1:41:01 Speaker 4: the field of view. So there's the sun we see.

1:41:05 Speaker 4: Now there's a lens. Flare will happen when it moves,

1:41:09 Speaker 4: so that's legitimate lens. Well, what's that other thing up there?

1:41:13 Speaker 4: What is that? So there it is but here and

1:41:16 Speaker 4: now I'm going to blow your mind. When I discovered this,

1:41:20 Speaker 4: I didn't have much solar time, and the equipment as crap.

1:41:23 Speaker 4: As you can see. That's not even in the same

1:41:25 Speaker 4: universe as my telescope now. But I released it, didn't

1:41:28 Speaker 4: say much. But in twenty sixteen, the Slow Observatory released

1:41:33 Speaker 4: footage of them filming in hydrogen alfa the Sun because

1:41:38 Speaker 4: mercury was transiting the Sun. They were doing the stream

1:41:41 Speaker 4: for kids. Halfway through he said, I'll bet you're wondering

1:41:45 Speaker 4: what that other object is. That is the second Sun.

1:41:49 Speaker 4: NASA knows all about it. They don't want you to

1:41:51 Speaker 4: know about it. When I made a big deal out

1:41:54 Speaker 4: of this, there was a comment made that clearly he

1:41:57 Speaker 4: was joking, which I said, who in their right mind

1:42:00 Speaker 4: and streams the Sun so they can see mercury going

1:42:03 Speaker 4: across the Sun to children and then make a joke

1:42:06 Speaker 4: that there's a second Son But there's the first discovery

1:42:09 Speaker 4: of it right there.

1:42:11 Speaker 3: What the fuck?

1:42:18 Speaker 2: How can that even be explained?

1:42:21 Speaker 4: I imagine in the sun pretty much. I have spent

1:42:28 Speaker 4: the past years saving up for the good telescope I

1:42:31 Speaker 4: have trying to recapture that footage with high end tools,

1:42:35 Speaker 4: and I'm still trying. Many many people have filmed it.

1:42:41 Speaker 4: I think that either the Indians were right and we

1:42:45 Speaker 4: have a binaryum. What they say is there's a binary

1:42:48 Speaker 4: sun and when it gets close, we have a an

1:42:51 Speaker 4: age where everything goes up, all spiritual and consciousness goes up.

1:42:55 Speaker 4: That's one thing they say. Shot yes, so another in

1:43:00 Speaker 4: twenty sixteen replicated this, But you can go online and

1:43:03 Speaker 4: find all kinds of times when people filmed it at

1:43:05 Speaker 4: sunset and sunrise. The other possibility is that it's some

1:43:10 Speaker 4: kind of a reflection on the firmament. But as you

1:43:13 Speaker 4: can see, it almost looks like a duplicate sun.

1:43:17 Speaker 2: For all intensive purposes, it is a duplicate sun.

1:43:22 Speaker 4: It's the Indians who tracked the longest periods of time

1:43:26 Speaker 4: claimed that we have a binary sun and when it

1:43:28 Speaker 4: gets close to our sun, our consciousness and spiritual abilities explode.

1:43:33 Speaker 4: And that weird.

1:43:35 Speaker 3: What was going through your mind when you saw this? Like?

1:43:38 Speaker 4: How am I ever going to release this? Because I

1:43:41 Speaker 4: remembered what happened with the lunar wave. Now I'm going

1:43:43 Speaker 4: to tell everyone there's two sons and so I kind

1:43:46 Speaker 4: of released it quietly, and luckily someone else replicated it.

1:43:49 Speaker 4: But more has happened than that. When the other guy

1:43:53 Speaker 4: replicated it, more than once, he had someone with him

1:43:55 Speaker 4: with filters, and they did these filters tests, which proves

1:43:59 Speaker 4: that it's actually there.

1:44:00 Speaker 2: It's not it's not like no, not a lens.

1:44:03 Speaker 4: Flare or not a reflection. But supposedly because they used

1:44:07 Speaker 4: a polarity filter.

1:44:09 Speaker 2: Okay, because you can even see that, it looks.

1:44:13 Speaker 4: Well, what do you what do you call it? When

1:44:15 Speaker 4: your sunglasses polarized used to polarized in the same way

1:44:20 Speaker 4: when you put on your lenses. It removes the reflections

1:44:24 Speaker 4: and the glints. It proved that that's actually there.

1:44:29 Speaker 3: That has gotta be.

1:44:31 Speaker 2: Now, why do how how are we not seeing this?

1:44:36 Speaker 3: Damn?

1:44:36 Speaker 4: You can't see it most of the time with your eyes.

1:44:39 Speaker 4: The only time you seem to be it's it's quite

1:44:42 Speaker 4: a bit dimmer. For one thing, it's probably further away,

1:44:44 Speaker 4: if that's what it is. But there are certain times

1:44:47 Speaker 4: when there's a lot of smoke in the air when

1:44:49 Speaker 4: you can see it at midday. Other than that, the

1:44:52 Speaker 4: only other times I've seen it with eyes is at

1:44:54 Speaker 4: sunset and sunrise, when they're chemtrailing. They always cam trail

1:44:58 Speaker 4: the horizons.

1:45:00 Speaker 2: So I've actually seen a lot of videos and I

1:45:04 Speaker 2: just I just scroll past them because I think it's

1:45:06 Speaker 2: like bullshit, right, But it's like people filming two sons,

1:45:11 Speaker 2: Like I know, they'll show you the regular son or.

1:45:14 Speaker 3: The day to day son.

1:45:16 Speaker 2: I guess we'll call it, so yeah, and then they'll go, Okay,

1:45:22 Speaker 2: that's the sun. What's that? And then I just think

1:45:25 Speaker 2: it's like, but are you saying that there's actual precedence to.

1:45:30 Speaker 4: That, that it's not a lie. What I've showed you

1:45:33 Speaker 4: is real. Again, we got to prove, but maybe we

1:45:35 Speaker 4: would do better. To quote John Lennon, strange days, indeed

1:45:39 Speaker 4: most peculiar.

1:45:40 Speaker 2: MoMA, you've officially blown my mind a bit today tonight.

1:45:47 Speaker 4: There it is. We've achieved. We've achieved max density. That

1:45:50 Speaker 4: was the aim.

1:45:53 Speaker 2: You You realize what the implications of a second son mean, right?

1:45:57 Speaker 4: Yes, it means that the Indians could be right, and

1:46:00 Speaker 4: that our consciousness and spiritual abilities are exploding, and that

1:46:05 Speaker 4: we're headed to a place that we can't even imagine.

1:46:10 Speaker 2: Oh god, that's a.

1:46:15 Speaker 4: That's a big deal. But it needs to be proven.

1:46:18 Speaker 4: And that's why I got this telescope. I saved for

1:46:21 Speaker 4: ten years to get it. It's top end tools, and

1:46:24 Speaker 4: I have spent years now trying to get good tools

1:46:27 Speaker 4: on it.

1:46:28 Speaker 2: If you could get if you could recapture that footage

1:46:31 Speaker 2: in the detail that your new solar equipment looks, yeah,

1:46:35 Speaker 2: that would be the not only a discovery of like,

1:46:39 Speaker 2: that would be a fundamental discovery that changes the fabric

1:46:43 Speaker 2: of how we view our solar system.

1:46:49 Speaker 4: Well in some way, the footage you just saw does that.

1:46:52 Speaker 4: And of the slow observatory, you can go you can

1:46:55 Speaker 4: go to YouTube right now and look up the twenty

1:46:58 Speaker 4: sixteen Slow Observatory clip and see exactly what I'm telling you.

1:47:02 Speaker 4: And it's in black and white because he's filming live.

1:47:04 Speaker 4: I film in black and white, and you will see

1:47:06 Speaker 4: the second son, or so called second son is almost

1:47:09 Speaker 4: kissing our son. He couldn't get it out of frame

1:47:12 Speaker 4: to show the transit of Venus, so he finally said,

1:47:15 Speaker 4: I guess you're wondering what that is, and then he

1:47:17 Speaker 4: told us what I consider to be the truth.

1:47:20 Speaker 2: Right, it's it's always like it's always like that too.

1:47:23 Speaker 2: It's they it's they say it in this like absurd

1:47:27 Speaker 2: way or in this absurd manner. But then you know,

1:47:31 Speaker 2: it's it's almost like they have to tell us the truth.

1:47:33 Speaker 4: Yeah, but watch the footage because he's not joking. He's

1:47:36 Speaker 4: actually dead. Just like he's talking for the whole clip,

1:47:40 Speaker 4: he says, you're wondering what that is, Well, that's our

1:47:42 Speaker 4: second son. I'm not kidding. NASA knows about it. They

1:47:45 Speaker 4: don't want you to know about it.

1:47:46 Speaker 3: Meanwhile, matter of fact, he says it like, yeah.

1:47:48 Speaker 4: Yeah, children are watching this stream, So you tell me.

1:47:51 Speaker 4: Is that how you joke to children when you're trying

1:47:54 Speaker 4: to teach them? Absolutely Mercury, Yeah, right.

1:47:57 Speaker 2: No, because their children and they are suscepty the bull two.

1:48:01 Speaker 3: Because yes, all.

1:48:03 Speaker 2: Those children that watch that with you, they are they

1:48:06 Speaker 2: have a story about how they saw a second son.

1:48:12 Speaker 2: They will be forever be changed.

1:48:14 Speaker 4: Well if they remembered and kind of comprehended. I don't

1:48:17 Speaker 4: know what age they were. I want to say they

1:48:19 Speaker 4: might have been like fifth grade, but I'm not sure

1:48:22 Speaker 4: at this point. There it is, there's the footage. That's

1:48:25 Speaker 4: the son we see on the left, that's our other

1:48:27 Speaker 4: kidding me. Now, about halfway through he actually says, what

1:48:33 Speaker 4: I told.

1:48:33 Speaker 2: You, are you kidding me, you actually know Roes.

1:48:39 Speaker 4: Do you know the timestamp? If you do, can you

1:48:41 Speaker 4: put it in the chat? I don't know if she

1:48:43 Speaker 4: knows maybe and you can listen to it live.

1:48:46 Speaker 2: This is incredible. This is that's independently verified from from

1:48:52 Speaker 2: two other sources, from one.

1:48:54 Speaker 4: Being an observatory that had a solar telescope that would

1:48:59 Speaker 4: have been real. So she says she thinks that it

1:49:02 Speaker 4: was three hours and thirteen minutes. If you want to

1:49:04 Speaker 4: hear what he.

1:49:05 Speaker 2: Says, you've.

1:49:09 Speaker 3: Yeah, you did your job tonight, my friend.

1:49:12 Speaker 2: You've got me asking questions that I didn't really realize

1:49:15 Speaker 2: I had.

1:49:16 Speaker 4: Well, thank you. That is the name of the game

1:49:17 Speaker 4: and the reason I haven't had a vacation in over

1:49:20 Speaker 4: a decade.

1:49:21 Speaker 3: Well, I would love to.

1:49:24 Speaker 2: I'd love to see some of the stuff myself, especially

1:49:28 Speaker 2: that stuff moving across the moon. Yeah, so you're close

1:49:34 Speaker 2: enough where you know, we don't have to do a

1:49:36 Speaker 2: podcast or anything. Put your face out like, we don't

1:49:39 Speaker 2: have to do any of that. But I would love

1:49:43 Speaker 2: to see this stuff.

1:49:44 Speaker 4: So right now, this season, I've had five hours of

1:49:49 Speaker 4: skies good enough to use the solar equipment between chemtrails

1:49:53 Speaker 4: and all the crap in the sky and the clouds.

1:49:55 Speaker 4: It's just it's almost impossible to get focus. And then

1:49:59 Speaker 4: I have to say at the analoons, which I won't

1:50:01 Speaker 4: describe what that's all about, but if the opportunity arises,

1:50:04 Speaker 4: but when we're done, send us an email and I'll

1:50:07 Speaker 4: get you a log in because I would really appreciate

1:50:09 Speaker 4: if you would do a review. You know, you can

1:50:12 Speaker 4: watch the film and then maybe you can verbally do

1:50:15 Speaker 4: a review if you want about Shoot the Moon. You'll

1:50:18 Speaker 4: be fascinated because you enjoyed everything here and it's that

1:50:22 Speaker 4: times ten plus you get to see me.

1:50:26 Speaker 3: Yeah, yeah, I would love to. I'd love to. And

1:50:28 Speaker 3: that do you think they're like final question?

1:50:30 Speaker 2: Because the way you're saying that these chemtrail things, and

1:50:34 Speaker 2: I know there's a lot of controversy when it comes

1:50:36 Speaker 2: to that even but you know people label everything like,

1:50:42 Speaker 2: you know, a conspiracy from a conspiracy theorist, which is.

1:50:46 Speaker 4: You know, that's that's how you shut it down.

1:50:48 Speaker 2: Yeah, that's how you muddy the water, right, That's how

1:50:51 Speaker 2: that's how you that that's how you insert you insert

1:50:57 Speaker 2: the mud before the defense.

1:51:00 Speaker 4: It's the defense mechanism.

1:51:02 Speaker 2: The Yeah, the you you insert the deniability that the

1:51:07 Speaker 2: the ounce of like deniability to it prior and you

1:51:14 Speaker 2: know it's it's it's a whole thing, but it's it's

1:51:18 Speaker 2: it's how to sigh off one oh one. A lot

1:51:22 Speaker 2: of people in the Air Force OS I know what

1:51:24 Speaker 2: I'm talking about.

1:51:25 Speaker 3: Oh but.

1:51:30 Speaker 2: Geez man, So where can people listen to you?

1:51:35 Speaker 3: Find you?

1:51:35 Speaker 2: And I got the I got the QR code up

1:51:37 Speaker 2: if you want to say it one more?

1:51:38 Speaker 4: Okay, perfect? So all I do have a YouTube and

1:51:42 Speaker 4: I do have an X. I do not communicate in

1:51:44 Speaker 4: either place. There are many old clips on YouTube, but

1:51:48 Speaker 4: they're very hard to find because not only the censor

1:51:50 Speaker 4: they're old. But everything I do is free to subs.

1:51:53 Speaker 4: Once you become a sub, it's at c r R

1:51:57 Speaker 4: o W seven seven seven radio dot com. So the

1:52:00 Speaker 4: word crow with two rs crow triple seven radio dot com. Now,

1:52:05 Speaker 4: once you're there, you get access to everything. If you're

1:52:09 Speaker 4: interested in solar images, you can get those. Some of

1:52:12 Speaker 4: them print up to fifty inches. I really think you

1:52:14 Speaker 4: need some in your studio. But the film Shoot the Moon,

1:52:17 Speaker 4: it now has ten awards in the world, which is

1:52:19 Speaker 4: we thought that no one was even gonna pay attention

1:52:23 Speaker 4: because I'm saying, there's this footage you just saw is

1:52:26 Speaker 4: at the end of the film where I'm saying there

1:52:27 Speaker 4: might be two sons. We figured everyone would say you're

1:52:30 Speaker 4: crazy and walk away. No, they gave us ten awards,

1:52:33 Speaker 4: So the world is waking up to these possibilities. And again,

1:52:36 Speaker 4: shoot me an email. I'll get you a log in.

1:52:39 Speaker 4: Maybe you'll feel like doing a little talk about the film.

1:52:43 Speaker 2: I think I will. I absolutely will, and I would

1:52:46 Speaker 2: love to. I love to work with you in the

1:52:48 Speaker 2: future on something. I have a lot of aspirations in

1:52:54 Speaker 2: these various fields. And I think, you know, everyone's kind

1:52:58 Speaker 2: of just like just like you know, the moral of

1:53:04 Speaker 2: like the story of the Tower of Babble. Right, when

1:53:08 Speaker 2: we get too close to ascension, it seems that we're

1:53:14 Speaker 2: struck down and maybe separated.

1:53:16 Speaker 3: And I think that first of all, everyone has.

1:53:21 Speaker 2: A little piece to the puzzle, a little piece to

1:53:23 Speaker 2: the truth. The truth is inherently exclusive. It's not inclusive, right,

1:53:30 Speaker 2: So there is just the one truth. It's not something

1:53:34 Speaker 2: that can be changed altered. But what can be changed

1:53:38 Speaker 2: and altered is public perception or perception. Right, So even

1:53:44 Speaker 2: if the truth is one plus one equals two, if

1:53:47 Speaker 2: you convince enough people that it's three, you can sway

1:53:52 Speaker 2: public opinion.

1:53:53 Speaker 4: But they also didn't tell you that one in one

1:53:55 Speaker 4: is eleven, which is often used that way. And that's

1:53:58 Speaker 4: the kind of thinking you'll have to employ if you

1:54:00 Speaker 4: want to break through the illusion. And absolutely right in

1:54:04 Speaker 4: the way you're going at this. There's a new era

1:54:07 Speaker 4: and everything has to be questioned over. And if you

1:54:11 Speaker 4: listen to what I said about NASA and you wonder

1:54:13 Speaker 4: if it's true, we'll go prove it. All truth exists

1:54:16 Speaker 4: in nature, and as it was said by the agents,

1:54:18 Speaker 4: the truth is written in the stars and no man

1:54:21 Speaker 4: can change what's written there.

1:54:24 Speaker 3: And as above, so below.

1:54:26 Speaker 4: There it is. This is a tough school. We're all

1:54:29 Speaker 4: doing here, and we should help each other because everybody

1:54:32 Speaker 4: suffers at the same degree.

1:54:34 Speaker 2: I agree, So, Crow, this has been fantastic in my mind.

1:54:40 Speaker 2: Is I mean, this is a I'm going to have

1:54:42 Speaker 2: some existential crisis. Maybe tonight I'm going to go out

1:54:46 Speaker 2: and look at the moon, that's for sure. But you've

1:54:50 Speaker 2: been incredible. Let's definitely keep in touch. Yeah, send me

1:54:53 Speaker 2: that link and I would love to do that. I'd

1:54:55 Speaker 2: love to watch the film. I'd love to review it.

1:54:57 Speaker 2: And you know, I'd love to take a look at

1:54:59 Speaker 2: some of the other stuff gut that I can, uh,

1:55:01 Speaker 2: you know, take a look at and we can talk

1:55:02 Speaker 2: about So all right.

1:55:04 Speaker 4: I appreciate it if you look at you know, I

1:55:06 Speaker 4: can't give it out just to be posted, because I

1:55:08 Speaker 4: have an agreement with the people who keep free speech

1:55:11 Speaker 4: alive on my private server. But I will give you

1:55:13 Speaker 4: access and if you want to cover it, you know,

1:55:15 Speaker 4: after the fact, that would be awesome.

1:55:17 Speaker 2: Yeah, absolutely, my friend, So great job. Thank you Rose

1:55:21 Speaker 2: for assisting in the back. You know, I really appreciate

1:55:25 Speaker 2: when you know. I don't have to do that kind

1:55:27 Speaker 2: of stuff. I do have a producer for in house,

1:55:29 Speaker 2: but he doesn't really come when I do remote so

1:55:32 Speaker 2: for obvious reasons, like he doesn't need to be here,

1:55:35 Speaker 2: I can run the whole thing myself. But crowd, all

1:55:39 Speaker 2: your links will be in the description below. Truly, truly,

1:55:42 Speaker 2: keep up the good work.

1:55:45 Speaker 4: Thank you.

1:55:46 Speaker 2: This is it's it's incredible what you've captured. And you know,

1:55:50 Speaker 2: fortunately the technology you know that you'll be able you'll

1:55:54 Speaker 2: have access to, I think will only get better, so

1:55:57 Speaker 2: you might you know, I think you have a really

1:55:59 Speaker 2: like cool future ahead of you.

1:56:01 Speaker 3: If you if you stick on this and.

1:56:03 Speaker 2: You've already caught some incredible things, some things that really

1:56:06 Speaker 2: change how I see. Like I said, the solar system

1:56:09 Speaker 2: in our closest celestial body.

1:56:11 Speaker 4: So I'll give you a log in, come catch the podcast.

1:56:15 Speaker 4: It'll start your socks all right.

1:56:17 Speaker 2: Well to everyone else that who's watching or most likely

1:56:21 Speaker 2: listening in the future. Like I said, heavy visual episode.

1:56:25 Speaker 2: So if you don't want to watch on YouTube, click

1:56:30 Speaker 2: the link for Crow Radio and sub get uh, get

1:56:34 Speaker 2: all that footage, check it all out. It's it's truly

1:56:38 Speaker 2: incredible stuff.

1:56:38 Speaker 3: I'm surprised that.

1:56:41 Speaker 2: So I'm surprised that I haven't seen this sooner. So uh,

1:56:44 Speaker 2: and that's probably there's probably a.

1:56:46 Speaker 3: Reason for that. So censorship exactly exactly.

1:56:50 Speaker 2: So, as I always say to end out round out

1:56:53 Speaker 2: each show, stay humble, stay kind, and most importantly, stay vigilant.

1:56:58 Speaker 2: We'll see you next time, guys. The deputy put the

1:58:02 Speaker 2: bot